A THR 101 Production Practicum I (1)
Laboratory participation in production crew activities on the departmental shows. Examples of these basic crew assignments are scenery, publicity, paint, props, electrics, costumes, etc. Assignments are coordinated by the Practicum Coordinator each semester. A total of 6 credits from A THR 101, A THR 102, A THR 201, A THR 202, A THR 301, and A THR 302 are required of Theatre majors. Only 3 credits of A THR 102, A THR 202, and A THR 302 may be applied toward the major. Repeatable up to 6 credits. A maximum total of 12 credits from A THR 101, A THR 102, A THR 201, A THR 202, A THR 301, and A THR 302 may be applied toward graduation. Prerequisite(s): permission of instructor.
A THR 107/107Z Introduction to Dramatic Art (3)
The components of dramatic art; attention to the contributions of acting, script, makeup, scenery, lighting, sound, music and architecture to the theatre as a unified creative expression. Only one version of A THR 107 may be taken for credit.
A THR 120 Understanding Design for the Performing Arts (3)
An introduction to the creative and historical processes, principles, and practices of design for the performing arts. Using theatre as the primary form, this course provides an overview of scenery, lighting, costuming, sound, and special effects, examining how each plays a role in defining resolutions to the major issues of live performance design. May not be offered 2024-2025.
A THR 121 Play Analysis (3)
Study and practice of analytical tools and critical approaches that help students appreciate plays as informed readers and spectators of theatrical works. Examination of methods of script analysis from the perspective of theatre practitioners.
A THR 135 Introduction to Technical Theatre (4)
Examination of the elements of technical theatre, including function and coordination of theatre architecture, scenery, lighting, costume and props. Three hours of lecture, plus assigned laboratory sessions.
A THR 138 Yoga (3)
The emphasis of this course will be on the physical aspect of yoga practice: asana practice. Asana practice of yoga seeks to integrate mind and body through the use of breath and physical postures. Benefits include: increased concentration and focus, greater flexibility and strength, improved posture, coordination and increased energy and deep relaxation. There will be an introduction to various pranayama (breathing) techniques, along with some chanting and meditation practice. Some experiential anatomy will be taught and applied to the practice of the yoga postures. An aspect of yoga practice is on challenging preconceptions of who we are, and evolving as human beings. Offered through the UAlbany in the High School program only.
A THR 201 Production Practicum II (2)
Laboratory participation in production crew activities on the departmental shows. Examples of these intermediate level crew assignments are Run Crew, Wardrobe Crew, Makeup Crew, Light Board Operator, Sound Board Operator, etc. Assignments are coordinated by the Practicum Coordinator each semester. A total of 6 credits from A THR 101, A THR 102, A THR 201, A THR 202, A THR 301, and A THR 302 are required of Theatre majors. Only 3 credits of A THR 102, A THR 202, and A THR 302 may be applied toward the major. Repeatable up to 6 credits. A maximum total of 12 credits from A THR 101, A THR 102, A THR 201, A THR 202, A THR 301, and A THR 302 may be applied toward graduation. Prerequisite(s): permission of instructor.
A THR 204 American Musical Theatre (3)
This course explores the evolution of musical theatre, identifying the social changes that caused the art form to evolve and grow. From the earliest musicals of the 1900's to Broadway's newest sensation today, the American musical reflects a changing society, both in the diversity of the stories it tells, and in the innovation of its storytelling. In addition to reading and lecture, emphasis will be placed on viewing archival video to track the significant creative and technological advances of the American musical. Topics include racial, gender, sexual, and cultural influences; popular music and rock and roll; and the business of Broadway.
A THR 205 Musical Theatre Acting I (3)
This course is designed to aid performers in gaining the necessary skills and techniques to perform and audition for professional musical theatre. The performers will lean how to act a song, do thorough song and character analysis, and work on vocal quality. By the end of the course, the performer will have four new solo pieces that can be performed and used at auditions plus they will have worked on callbacks. Prerequisite(s): permission of instructor; students must audition to take this class. May not be offered in 2024-2025.
A THR 206 Musical Theatre Dance Styles (3)
This course will introduce students to and instill a foundation in Musical Theatre dance styles. A combination of dance elements, technique, and terminology will be covered through learning dance steps, sequences and choreography. Dance styles will include elements of Jazz, Ballet, Tap, Motown/Jukebox, Lyrical and Theatrical/Expressive Movement, drawing upon a variety of Musical Theatre Works and Choreographers. Students will work on the development of basic technique, accurate execution, memorization of movement, and characterization within the different dance styles, while learning how to apply these skills to musical theatre dance classes, auditions, rehearsals and performance. Prerequisite(s): permission of instructor.
A THR 208 Tap Dance (3)
This course is designed for students with some background in tap dance. This course will review basic elements and steps of tap dancing and introduce intermediate moves. The course will consist of a warm-up, extended barre, and center floor work. Combinations of steps with and without music will be used to understand rhythm, syncopation, and timing. Students will learn the correct foot and body placement and alignment in this style of dance. Prerequisite(s): audition required. May not be offered in 2024-2025.
A THR 209 Jazz Dance (3)
Introduce students to, and instill a fundamental foundation in Jazz dance. A combination of jazz dance elements, principles, technique, terminology and styles will be covered through learning dance steps, sequences and choreography. The class will consist of warm-ups, isolations, stretching and strengthening exercises, movement across the floor and both short and long jazz combinations. Some ballet will be included as part of a classical jazz dance foundation. Students will work on the development of basic technique, accurate execution, memorization of movement, and characterization within the style. Prerequisite(s): permission of instructor.
A THR 211 Hip-Hop Dance (3)
This course is designed to focus on foundations and origins of hip-hop dance and street dance culture, and the journey to today's current definitions of hip-hop and freestyle dance. The class will be explored primarily through movement participation by the students with dance instruction, drills, and routines demonstrated by the instructor, plus related video/YouTube assignments, and/or guest instructors. Students will be challenged and encouraged to understand and apply historical and practical knowledge of hip-hop. Prerequisite(s) audition required. May not be offered in 2024-2025.
A THR 221 Theatre History I (3)
This is a survey of dramatic literature and theatrical art in ancient Greece and Rome, Asia, and Medieval and Renaissance/Neoclassical Europe, focusing on the most significant developments in theatre architecture, stagecraft and scene design, acting styles and techniques, dramatic structure and genres, audience and patronage. In addition, the class also studies the accomplishments of great theatre artists (architects, designers, actors, directors, etc.) and dramatists and discusses their contributions in a social-historical context that extends beyond the theatre. The course includes introductory material to provide a foundation for further study in dramatic literature and theatre history. May not be taken for credit by students with credit for A THR 227. Offered in the fall semester.
A THR 223 Topics in Theatre History (1-3)
Special topics selected to address particular needs and interest of intermediate studies. This course may be repeated once when content varies. Prerequisite(s): permission of instructor. May not be offered in 2024-2025.
A THR 228 Voices of Diversity in Contemporary American Theatre and Drama (3)
Concentration on works which are often omitted from the theatrical canon because of their divergent aesthetic, ideological or sociological values. Selections will include, but not be limited to, dramas and creative contributions by African-Americans, Latinas and Latinos, Gays and Lesbians, and Native Americans. May not be offered in 2024-2025.
A THR 230 Great Drama on Film and Video (3)
A study of major works of drama through the ages with emphasis on their values as works of dramatic literature as well as crucial raw material for complex embodiment in theatre and film performance. May not be offered in 2024-2025.
A THR 235 Fundamentals of Theatrical Design (3)
Exploration of the elements of design and principles of composition, especially as they relate to the visual aspects of theatre. Lectures will emphasize scenic and costume design, with projects, exercises and classroom discussions aimed at developing visual awareness and imagination.
A THR 240Y Acting I (3)
Development of an actor’s instrument through the use of voice, body and imagination to create realistic behavior under given circumstances. Concepts taught include creative work habits, ensemble development, use of self, acting as interacting, rehearsal skills and action analysis. Exercises include improvisation and scripted. This course does not require previous acting experience and encourages students to take artistic risks as a first step in the department’s acting sequence. Open to freshmen and sophomores only.
A THR 246 Musical Theatre Ensemble Singing (2)
This course prepares students for the rigors of musical theatre singing by developing healthy singing techniques, and improving sight singing, ear training, and harmonic skills while working on ensemble and solo songs from musical theatre. Students will gain an understanding of the skill set that is required by the industry for a career in musical theatre. Permission of instructor. Prerequisite(s) or corequisite(s): A THR 240Y and permission of instructor.
A THR 247 Private Singing Lessons (1)
To assist the musical theatre student in their vocal development. The student will develop a vocal warmup, expand vocal range, and work to strengthen pitch, tone, and overall musicality. The student will also develop a musical theatre repertoire by using material from the musical theatre canon. A total of 8 credits may be applied toward graduation. Musical Theatre minors must take a minimum of 3 THR 247 credits. Prerequisite(s): Theatre major and permission of instructor.
A THR 249 Topics in Acting (1-3)
Special topics and exercises selected to address particular needs and interests of intermediate students. The course may be repeated once when topic varies. Prerequisite(s): permission of instructor.
A THR 250 Stage Makeup (1)
Exploration of the art and technique of makeup design. Includes exercises in the technique of modeling the planes of the face. Special emphasis on understanding and applying the principles of chiaroscuro. Repeatable up to 3 credits. S/U graded.
A THR 257 Topics in Dramatic Literature (1-3)
Special topics selected to address particular needs and interests of intermediate students. This course may be repeated once when topic varies. Prerequisite(s): permission of instructor. May not be offered in 2024-2025.
A THR 261 Folk Dance (1)
An introduction to International Folk Dance. Dances from many countries and cultures will be taught and discussed. The course will prepare the student to join recreational folk dance groups and to participate in ethnic festivals. S/U graded. May not be offered in 2024-2025.
A THR 264 Studio Skills (3)
A practical approach to applying graphic techniques to the theatrical design process. The class will employ the use of rendering techniques, computer manipulation (Photoshop), and painting as a way to communicate visually and explore theatrical ideas.
A THR 265 Stage Properties (3)
An introduction to various types of standard stage properties, the class focuses on prop fabrication techniques, as well as the practices of the Prop Master. Projects will explore materials and techniques typically used in theatre, and methods used in prop design and acquisition. Prerequisite(s): A THR 135 or permission of instructor. May not be offered in 2024-2025.
A THR 266 Scene Painting (3)
Students will be exposed to various types of standard scene painting techniques through a series of projects. These projects will teach students about the tools, materials, and painting methods used by scenic artists in professional theatre. Prerequisite(s): A THR 135 or permission of instructor. May not be offered in 2024-2025.
A THR 268 Topics in Design and Technology (1-3)
Special topics and projects selected to address particular needs and interest of intermediate students. This course may be repeated once when topic varies. Prerequisite(s): permission of instructor. May not be offered in 2024-2025.
A THR 270 Technical Theatre Practice (3)
Introduction to the materials and techniques used in the construction and handling of theatrical scenery and lighting. Topics include equipment, rigging, mechanical devices, basic electricity, and translation of theatrical drafting. Emphasis on application within the theatrical environment. May not be offered in 2024-2025.
A THR 300 Plays in Process (3)
This is a capstone course within the major and cannot be transferred in or substituted with any other course taken off-campus. It examines the arc of the dramatic event from its genesis in the mind of the playwright to its presentation before an audience. Particular attention is paid to the source material and its relationship to the development of the script as well as the production, including set, lighting, sound and costume design, directing and acting. Students are exposed, as directly as possible, to aspects of the creative process that makes theatre happen. It uses a combination of writing and discussion as a tool to achieve written proficiency in the field of theatre practice, research and criticism by analyzing, interpreting and evaluating written texts (plays, reviews, archival and documentary materials; critical, scholarly and theoretical articles), as well as performances and other artifacts. Prerequisite(s): A THR 121, A THR 220 or 330, A THR 221, A THR 222 or 331.
A THR 301 Production Practicum III (3)
Laboratory participation in production crew activities on the departmental shows. Examples of these advanced crew assignments include Assistant Lighting Designer, Assistant Costume Designer, Assistant Director, Stage Manager, Master Electrician, Sound Engineer, Wardrobe Supervisor. Assignments are coordinated by the Practicum Coordinator each semester. A total of 6 credits from A THR 101, A THR 102, A THR 201, A THR 202, A THR 301, and A THR 302 are required of Theatre majors. Only 3 credits of A THR 102, A THR 202, and A THR 302 may be applied toward the major. May be repeated once for credit. A maximum total of 12 credits from A THR 101, A THR 102, A THR 201, A THR 202, A THR 301, and A THR 302 may be applied toward graduation. Prerequisite(s): permission of instructor.
A THR 303Z Playwriting I (3)
Workshop dealing with the craft of playwriting. Focuses on preparing stage worthy one-act plays, ready for submission to the FRESH ACTS festival of new plays. Limited enrollment. No previous playwriting experience is required. Prerequisite(s): permission of instructor.
A THR 305 Stage Combat (3)
This course is designed to familiarize students with the theory, history, and practice of theatrical combat, including unarmed (hand to hand combat), quarterstaff (traditional pole weapon made of wood), and rapier (a thin, sharp-pointed sword used for thrusting). Students will learn how to manipulate these weapons (unarmed, rapier and quarterstaff) in a safe and effective way, coordinating these techniques into choreography for the stage. Please note the blade on the rapier is dulled to the Society of American Fight Directors standard. Prerequisite(s): A THR 240 and A THR 339. May not be offered in 2024-2025.
A THR 314 Stage Management (3)
Investigation into the theories and techniques of stage management, including a thorough examination of the varied functions and duties performed by stage managers in professional, educational, commercial, and community theatres. Prerequisite(s): A THR 135 or permission of instructor.
A THR 319 Studies in Theatre History (3)
Special topics selected to address particular needs and interest of advanced students. Individual syllabi vary depending on the specific subject matter covered in the course. Prerequisite(s): A THR 221 and A THR 222/331, or A THR 227, or permission of instructor. This course may be repeated once when topic varies.
A THR 326 Studies in Shakespeare (3)
Special topics selected to address particular needs and interests of intermediate students. A student may only receive credit for A ENG 346 and/or A THR 326 twice, and only if the content varies. Prerequisite(s): permission of instructor. May not be offered in 2024-2025.
A THR 330 Contemporary Theatre (Formerly A THR 220) (3)
(Formerly A THR 220.) This 3-credit course is a survey course outlining the most significant trends and developments in contemporary Western drama, theatre, and theory from the late twentieth-century to today. Readings change to keep the course abreast of current developments. The purpose of the class is to gain both an understanding and an experience of contemporary drama and performance via readings and by viewing and analyzing filmed and live productions. Offered in the spring semester.
A THR 331 Theatre History II (Formerly A THR 222) (3)
(Formerly A THR 222.) A survey of the dramatic literature and theatrical art of Europe and the United States from the English Restoration to the present. Offered in the spring semester.
A THR 333 Crafting Solo Performance (Formerly A THR 203) (3)
(Formerly A THR 203.) A workshop in the creation of solo performance pieces. By studying the work of a diverse group of contemporary theater artists, and using their examples, students will craft solo pieces that they will perform in class. Geared towards both writers and performers, students will hone skills of written, verbal, and physical expression, and will develop an individual process and professional tools for creating and refining a theatrical work, as they build towards a public performance showcase of solo pieces. No previous experience with playwriting or acting is required.
A THR 335 Theatrical Drafting (3)
Study and practice of the professional techniques used in theatrical drafting. Topics will include geometry, conventions and symbols, dimensioning, scale, orthographics, pictorials, developments, and mechanical perspective, with attention to the development of fine motor skills and accuracy in hand drafting.
A THR 336 Computer Drafting (3)
Computer-aided drafting for the theatre involving electronic manipulation of lines, drawings, and symbols to convey visual ideas in theatre applications. Prerequisite(s): A THR 335.
A THR 339 Movement I (3)
A studio class intended to deepen the understanding of your own moving body through the study of kinesthetic anatomy and somatic movement principles to guide exploration of creative movement and improvisation. Movement exercises will be designed to increase somatic awareness (strengthen the body-mind connection), improve skeletal alignment, increase muscular flexibility and strength, improve coordination, as well as develop movement vocabulary and expand conceptual definitions of movement/dance/art. Coursework includes readings in experiential anatomy, improvisation and performance, journals, video and live concert viewing, movement studies and a final performance project. Prerequisite(s): A THR 240 and permission of instructor.
A THR 340Y Acting II (3)
Further development and exploration of the acting process, using the Sanford Meisner technique. Exercises include creating and rehearsing scenes drawn from the work of both modern American and contemporary playwrights. Prerequisite(s): A THR 121 and A THR 240.
A THR 341/341Y Acting Styles (3)
Approaches to acting in heightened language and physicality. This course teaches methods for moving beyond the conventions of realism and explores acting techniques for creating convincing performances in plays defined as "style" pieces. Styles explored include Naturalism, Restoration, and Farce. Prerequisite(s): A THR 340 and A THR 343.
A THR 343/343Y Voice for the Actor I (3)
The study of voice production employing exercises in relaxation, breathing and resonation designed to liberate the individual's optimum natural voice. Exercises include projection in a variety of performance spaces and some text presentation. Prerequisite(s): A THR 121, A THR 240, and permission of instructor.
A THR 345 Movement II (3)
A studio class that builds on the skills and practices explored in Movement I. In this course, emphasis will be placed on ensemble movement as it relates to the group rehearsal and creation processes. Class exercises will extend beyond individual physical awareness to explore a collective awareness of how bodies in space create pictures, inspire kinesthetic response, and create momentum required for the evolution of movement as it is being formed into a creative, improvisational performance piece. Coursework includes movement application of the Viewpoints Technique and Contact Improvisation to group projects and performances. Prerequisite(s): A THR 339, A THR 340Y, and permission of instructor. May not be offered in 2024-2025.
A THR 346 Musical Theatre Workshop (3)
This course will explore performance techniques essential for musical theatre, utilizing scenes that contain songs from various musical theatre genres. Students will gain skills to analyze, interpret, and perform musical theatre material to cultivate truthful and compelling performances. The musical theatre student will rehearse three duet scenes with song, and an ensemble production number, in a laboratory setting during the term, culminating in a showcase presentation. Prerequisite(s) or corequisite(s): A THR 340 and permission of Instructor.
A THR 349 Audition Techniques and Business of Acting (3)
An exploration on the audition process and the business of acting for the pre-professional actor. Students will build their audition repertoire of both songs and monologues, learn auditioning techniques, develop their professional brand, and learn the skills required to begin their career as an actor. Prerequisite(s): A THR 340 and permission of instructor.
A THR 360 Scenic Technology (3)
Study of the theories and practices of scenic technology, and the application of drafting techniques to the communication of ideas. Topics include tools, materials, hardware, drafting processes, technical research and writing, and traditional construction and handling techniques. Prerequisite(s): A THR 135 and 335. May not be offered in 2024-2025.
A THR 370 (= A PHY 370) Lighting Technology (3)
Introduction to the physical properties of light and the technology used in entertainment lighting systems. Topics include the physics of light, electricity, color, optics, photometric calculations, equipment, and the interpretation of drafting and related paperwork. Only one version may be taken for credit. Prerequisite(s): A THR 135 or permission of instructor.
A THR 371 Sound Technology (3)
A study of the tools and techniques of sound technology, including reinforcement and reproduction as applied to theatrical production. Topics include the various types of equipment required to assemble and troubleshoot a complete sound system in a theatrical environment. Prerequisite(s): A THR 135 or permission of instructor. May not be offered in 2024-2025.
A THR 380 History of Clothing Styles (3)
An exploration of the history of western dress emphasizing the socioeconomic, political, and moral environment that produced historic modes of dress. May not be offered in 2024-2025.
A THR 381 Costume Technology (3)
Introduction to materials and techniques employed in preparation and building theatrical costumes. Topics include patterning, basic theatrical sewing, fabric, and fabric modification. Emphasis on application for theatrical production. Prerequisite(s): A THR 135 or permission of instructor.
A THR 386 Costume Crafts (3)
Intensive study of the techniques, materials, and tools used in the more specialized areas of theatrical costuming such as armor, hats, and jewelry. Emphasis on sculpting, casting, and fabric manipulation. Prerequisite(s): A THR 135. May not be offered in 2024-2025.
A THR 397 Independent Study in Theatre (2–4)
Directed reading and conferences on selected topics. A student may take the course once as strictly research and once as a production-related study, but not repeat one or the other. Prerequisite(s): junior or senior standing, and permission of instructor and program director.
A THR 401 Production Practicum IV (3)
Laboratory participation in production crew activities on the departmental shows. Examples of these major crew assignments include Lighting Designer, Scene Designer, Costume Designer, Scenic Artist, Technical Director, Prop Master, etc. Assignments are coordinated by faculty. May be repeated once for credit. Prerequisite(s): junior or senior standing, and permission of instructor.
A THR 403Z Playwriting II (3)
An advanced workshop designed to write and develop full length plays; some of these scripts may be considered for presentation in the FRESH ACTS festival of new plays. Limited enrollment. Prerequisite(s): A THR 303Z or permission of instructor.
A THR 421 Dramaturgy (3)
Study and interpretation of plays, dramatic theory, and research methods with special emphasis on the artistry of translating the written script into a theatrical production. A THR 121, 221, and 222 or permission of instructor.
A THR 423 Topics in Theatre History (1-3)
Special topics selected to address particular needs and interests of advanced students. This course may be repeated once when content varies. Prerequisite(s): permission of instructor. May not be offered in 2024-2025.
A THR 439 Acting with Verse (3)
An introduction to verse and heightened language, including analysis of recurring poetic devices, rhetorical motifs and metrics. The goal is to teach actors to communicate the rich meanings of Shakespeare's texts in powerful, spontaneous performances that combine techniques of realistic acting with bold theatricality. Prerequisite(s): A THR 340Y, A THR 343, and permission of instructor.
A THR 440/440Y Advanced Acting (3)
Building off of previous acting curriculum, this course will expand on techniques of internal and external character development while focusing on contemporary comedic and dramatic work. Special emphasis will be placed on activating subtext and strengthening the actor's process in preparation for the professional theatre. Prerequisite(s): A THR 340Y, A THR 439, and permission of instructor.
A THR 446 Voice for the Actor II (1-3)
Building on and applying the vocal training begun in Voice for the Actor I, students will explore IPA, dialect work, and heightened language, implementing Voice fundamentals, to effectively and truthfully speak in performance. This course may be repeated once when content varies. Prerequisite(s): A THR 343. May not be offered in 2024-2025.
A THR 449 Topics in Acting (1-3)
Special topics selected to address particular needs and interest of advanced students. This course may be repeated once when content varies. Prerequisite(s): A THR 440 or permission of instructor.
A THR 450 Directing (3)
This course explores the director's function and responsibilities, script analysis, concept formulation, production preparation, communication and collaboration, organizing and conducting the rehearsal process, and critical analysis of the director's work. The course combines theory and practical exercises with actors of both scripted and non-scripted scenes. Prerequisite(s): A THR 235, A THR 314 and A THR 340Y.
ATHR 456Z Seminar in Dramatic Literature (3)
Examines a particular genre, movement, period or author. This course may be repeated once when content varies. Individual syllabi vary depending on the specific subject matter covered in the course. Prerequisite(s): A THR 221 and A THR 222, and junior or senior standing, or permission of instructor.
A THR 457 Topics in Dramatic Literature (3)
Special topics selected to address particular needs and interests of advanced students. This course may be repeated once when content varies. Prerequisite(s): permission of instructor. May not be offered in 2024-2025.
A THR 460 Set Design I (3)
The class will focus on the exploration of the theatrical text, and the design process as it relates to scenery. Studio skills, including rendering, drafting and model making, will be incorporated into a working process aimed at designing scenery for the theatre. Prerequisite(s): A THR 235 and 360, or permission of instructor.
A THR 461 Set Design II (3)
As a continuation of Set Design I, the class will focus on the application of the principles of design for the theatre as they relate to scenery. Related graphic skills will be developed as design solutions are explored. Communication skills will be stressed as invaluable tools for the working designer. The class will culminate in project material ready for a portfolio presentation. Prerequisite(s): A THR 460 and permission of instructor. May not be offered in 2024-2025.
A THR 465 Technical Design I (3)
The application of theatre technology to problem solving in a theatrical organization. Topics will include equipment, rigging, methods, materials, and the principles governing their use. Technical innovation, budgeting of labor and materials, planning, and advanced drafting are considered as functions of the technical director. Prerequisite(s): A THR 235 and 360, or permission of instructor. May not be offered in 2024-2025.
A THR 475 Lighting Design I (3)
The study of light as a design component in theatrical production. Topics include script analysis in terms of lighting, the phenomena of color as applied to lighting, the various methods available for lighting the stage, consideration of equipment and its effect on design, the awareness of light in the natural world, and an introduction to the preparation of lighting plots and paperwork. Prerequisite(s): A THR 335 and 370, or permission of instructor. May not be offered in 2024-2025.
A THR 481 Costume Design I (3)
The class will focus on the exploration of theatrical text and the design process as it relates to the development of a costume design thesis. Skills including rendering, research, and script analysis will be incorporated, using the design elements and principles, into a working process aimed at cogent costume designs for different styles of dramatic literature. Prerequisite(s): A THR 235, 380, and 381 or permission of instructor.
A THR 490 Internship (3–12)
Internships in professional theatre enable students to examine the way the theories and the practical experiences of our discipline interact. They provide opportunities for observation and participation which are not available in the classroom. Prerequisite(s): internships with professional theatrical organizations are available for qualified juniors and seniors with an overall grade point average of 2.50 or higher, and permission of Theatre Program Director. S/U graded.
A THR 495 Portfolio and Career Preparation (3)
A culminating course for student designers and technicians to prepare them for the rigors of the industry. Topics will include portfolio creation, contracts, taxes, resumes, interviewing, and job hunting. Prerequisite(s): permission of instructor.
A THR 498 Honors Project (3)
A research or creative project in a selected area of concentration. Topics and issues vary according to the needs and goals set by the students with their mentors. The aim of this project is to allow students the opportunity to cultivate a distinctive personal direction and generate a significant body of work to pursue graduate study and/or a career in theatre. Prerequisite(s): admission into the Theatre Program's Honors Program, which is by permission only.