Part II:
Section A: Bibliography of Periodical Publications (Other Individual Article, Short Fiction, and Poem Publications listed under Anthologies and Reprints, above)
CRITICISM, ARTICLES
"A Teaching Credo," OZPOET, Australia, on-line publication, August, 2001.
"Women's Lives, Deeply Noticed," The Women's Review of Books, June 4, 1997.
"Women Write Vampires: Nightmare or Utopia?" The Kenyon Review, Fall, 1992
"The Mind of a Woman Artist: Excerpts from the Journals of Ethel K. Schwabacher," co-edited with Brenda Webster, Women's Studies, Vol. 22, Number 1, 1992.
"The Personal and the Lyric-Epic: The Art of Ethel Schwabacher," co-authored with Brenda Webster and Jayne Walker, Women's Art Journal, Winter 1989.
"Rhetoric and Anti-Rhetoric: the Poetry of Richard Brautigan," St. Andrews Review #22 (1981)
"Freedom and Form," Milkweed Chronicle (Spring/Summer 1980)
"Anonymous Was Never a Book Reviewer," MS. (February 1980)
"The Performance of Poetry: a Sound/a Block of Stone/Some Words," Keynote: a Magazine for the Arts (December 1979)
"Transparency," Unmuzzled Ox: The Poet's Encyclopedia (1979)
"Worry is Nothing but Ego," The Mississippi Review (Winter 1977)
"More and More My Feeling Has Been..." Center #10 (1972)
"The World is Mean and Man Uncouth: Gay and Brecht," The Virginia Quarterly Review (Spring 1959)
FICTION
"Aryeh the Lover," Nimrod International Journal,,University of Tulsa, Fall/Winter 2004, Vol. 48, no. 1, pp. 192-204, the Geraldine McCloud Commendation for Fiction
"Paula, Queen of the Gypsies," Chelsea, 70/71 June, 2001
"The Borrowed Child: a Hypertext," The Little Magazine, 1999
"What It Costs to Stand Still," Caprice, 1998 (date missing)
"The Crustacean Success Story," Denver Quarterly, winter 1995-96
"The Rhythm of Action," The Little Magazine, Vol. 18, 1992
"Ploo," Boundary 2, Vol. XV, No. 3, Spring / Fall 1988
"Hits of the Last Decade," Washington Review, Vol. XIV, No. 3, Oct./Nov, 1988.
"No-Name's Tale," Groundswell (Winter 1986) ; reprinted in North Country, (see anthology listings, p.3 of Part I of c.v.)
"Violin Hands," MS. (December 1982).
"Notes on the Sensitivity of Spaghetti," Space and Time
(1981). "Voyages of a Mile-High Fille de Joie," Playboy (April 1977); Playboy Fiction Prize, 1977; reprinted Playboy Germany, 1978 and Playboy Japan 1979.
"The Paradise Avocado," The Hudson Review (Fall 1977).
"Of Aurelia's Nights," MS. (August 1976).
Excerpts from "Catalog of the Complete Works of Friedrich Liebermann," Center (1972).
"Unity: An Impartial Report," The Massachusetts Review (Spring 1963).
"Akihi-San: a Contemplation," The Virginia Quarterly Review (Summer 1959).
POEMS
"Everything in the Dream Speaks the Dreamer,"Spoon River Poetry Review,, forthcomng, Fall 2004
"Sirventes for Paul Blackburn," Nimrod, forthcoming Spring 2005
"Magna Mater" (#1 in "The Nietzsche Sequence"), The Paris Review, Spring 2004
"Patience," Salmagundi,Spring-Summer, 2001
"Plain Day," and "Moonscape," American Poetry Review, Nov/Dec, 2000
"The Lava Tree," and "Blind Old Woman Singing Outside Bergdorf's", Southern Lights, Fall 1998 (nominated for a Pushcart Prize)
"Surrounded by Jerks," and "In Jane's Red Room," Chelsea, Fall 1992
"The End of Love," MS., November 1992
"Canticle of the Foreign Wars," Letters Home, Fall 1992.
"Report on the Experiment:Two" and "Snorkle," Caprice,Spring, '91.
"Before Notre Dame, variations one and two,," Confrontation, No. 42/43,spring and summer '90
"Cities of Mathematics and Desire," (longpoem), Exile, Toronto, Vol. 13, #4, 1989
"As if I watched Late Last Night with Baudelaire," The Virginia Quarterly Review, Vol. 65, No. 4, Autumn, 1989.
"For James at the Solstice," St. Andrews Review, Summer, 1989 (special anniversary issue).
"In the Opening Night Sky," The Other Side, July / August, 1989 (special issue).
" For Margaret, Dead by Suicide," Chelsea 48, 1989.
"I Found Last Night as I Walked Alone, a Dying," Abraxas 37, 1988 (special anniversary issue).
"Say Norse's Sayng," Abraxas 37, 1988.
"Body Politic," The Partisan Review, Vol. LV, No. 2, Spring 1988.
"Quiet Life," Frontiers, Vol X, No. 1, 1988.
"The Ice Lizard, Parts I-IV," Frontiers, Vol X, No. 1, 1988.
"Press Conference," The Massachusetts Review, Vol. XXIX, No. 2, Summer 1988.
"How it was in Frost Country," Shenandoah, Vol. XXXVIII, No. 2, 1988.
"The Logic of Jerome Bosch," Oovrah (January, 1986)
"Beachcombing," Glens Falls Review #3 (1985-86)
"The Party After Antony," Groundswell (Winter, 1985)
"Before Notre Dame," Groundswell (Winter, 1985)
"Things of the House," Groundswell (Winter, 1985)
"Snow on a Moonless Night," Groundswell (Winter, 1985)
"Eastern Amusements," Groundswell (Winter, 1985); (The above part of a special issue focus on my work; please see p. 11 of Part I of c.v.)
"Steenweg," The Southwest Review (1983)
"The Worth," American Poetry Review (May/June, 1980)
"Lovely Leo, Roaring Leo," American Poetry Review (May/June, 1980)
"Fable of the Date Trees," Asphodel (Spring 1980)
"Text and Musical Score for a New Poem for Performance, 'Wuzzit,'" Chelsea Ambimedia Issue, #39 (1980)
"Musical Score for John Donne's 'Go and Catch a Falling Star,'" Chelsea Ambimedia Issue, #39 (1980)
"Words Like Baloons, Words Like Smoke, Words Like Seeds," Milkweed Chronicle (Winter 1980)
"Marchers of Ragnarok," Milkweed Chronicle (Winter 1980)
"Foreign Exchange Blues," The New York Times Op-Ed Page (February 29, 1980)
"Sussel Attempts the Seduction/of His Plate Glass Fish," The Partisan Review, Vol. XLVII #2 (1980)
"A Grief Beyond Remedy," A Shout in the Street, Vol. III, #1 (Summer 1980)
"Words are Free, Life is Not," The Bloomsday Readings Anthology #1 (1979)
"The Immortality of the Hotrod," The Bloomsday Readings Anthology #1 (1979)
"Streetsong," The Bloomsday Readings Anthology #1 (1979)
"The Wild Man of Borneo," The Helen Review, Vol. I #2 (1979)
"Marjorie," The Helen Review, Vol. I #2 (1979)
"Leo, Clara, Max," The Helen Review, Vol. I #2 (1979.); (The above part of an issue focus on my work; please see citations of critical commentary, Part I of c.v.)
"Ballade of the Grindstones," The New Yorker (September 17, 1979) reprinted: The Poetry Society of America Bulletin (Winter 1980); and Strong/Measures, please see anthology listings above.
"Creeley's 'The Dishonest Mailman' by Robert Bly,'" Poultry: a Magazine of Voice (September 1979)
"Before the Recovery," The Virginia Quarterly Review (Summer 1979)
"A Gentle Heart: One," Black Box #13-14 (1978) audiopublication
"Relic," Black Box #13-14 (1978) audiopublication
"A Gentle Heart: Two," Black Box #13-14 (1978) audiopublication
"Renegade," Black Box #13-14 (1978) audiopublication
"A Gentle Heart: Three," Black Box #13-14 (1978) audiopublication
"The Reckoning," The Midwest Quarterly (Spring 1978)
"The Lives of Rain," The Midwest Quarterly (Spring 1978)
"Schroedinger's Cat: One," The Midwest Quarterly (Spring 1978)
"Relic," Nimrod (Spring/Summer 1978)
"The Spoilers and the Spoils," Poetry (April 1978); reprinted in Strong/Measures, please see anthology listings, Part I of c.v.
"Drops," Choice (Winter 1977)
"Omne Animal," The Little Magazine (Fall 1977)
"Some Far Place," The Little Magazine (Fall 1977)
"The Resting Place," California Quarterly (Winter/Spring 1977)
"Highwire," Connections (Spring 1977)
"Waiting," Connections (Spring 1977)
"On the Porch of the Travelers' Rest," The Fiddlehead (Winter 1977)
"A Slow, Traditional Measure," The Literary Review (Summer 1977)
"Argument One," The Little Magazine (Summer 1977)
"The Town Scold at the Ducking Pond," The Little Magazine (Summer 1977)
"The Alarm," The Minnesota Review (Winter/Spring 1977)
"Sonnet: On Women's Business," The Mississippi Review (Winter 1977)
"With a Silver Comb," The Mississippi Review (Winter 1977)
"Time for Ripeness," Mother Jones (July 1977)
"The Houseguest," Mother Jones (July 1977)
"Noon," The Nation (November 1977)
"Statement," The Nation (December 1977)
"The Imitation of Death," The New Republic (February 1977)
"La Dolce Vita in Brussels," Painted Bride Quarterly (Fall 1977)
"Three Power Dances," Painted Bride Quarterly (Spring 1977); "First Power Dance: God Who Walks Like A Bear," reprinted in Bear Crossings, please see anthology listings in Part I of c.v.
"One Day the Doorbell," Oyez Review #6 (September/October 1977)
"How We Changed," The Partisan Review Vol. XLIV #3 (1977); reprinted in the Struga Poetry Festival Publication, Yugoslavia (1980), and a number of Yugoslavian journals and newspapers for which I have no listings.
"Earths," Poetry Now Vol. II #4-6 (1977)
"Do You Hear/Organ Music?" Poetry Now Vol. III #4-6 (1977)
"Dance, Spin, Show Yourself," Poetry Now Vol. III #4-6 (1977)
"Analysis," Poetry Now Vol. IV #3 (1977)
"Count Dracula," Poetry Now Vol. IV #3 (1977)
"The Intellectual Pilgrim," Salmagundi (Winter 1977)
"Words for Grandma Clara," The Southwest Review (Autumn 1977)
"Voyager," The Falcon (Winter 1976); reprinted in The Bloomsday Readings Anthology #3 (1980)
"Great World of Love," American Poetry Review (February 1976)
"The Blob Speaks to its Mother," Black Box #9 (1976) audiopublication
"Sonnet: on Women's Business," Black Box #9 (1976) audiopublication
"This Silver Screwdriver," Black Box #9 (1976) audiopublication
"Happy Jack Comes Home," Black Box #9 (1976) audiopublication
"Yours," Black Box #9 (1976) audiopublication
"Morning Light," Black Box #9 (1976) audiopublication
"The Alarm," Black Box #9 (1976) audiopublication; republished North American Poetry Network Anthology, please see anthology listings, Part I of c.v.
"Plotting the Change of World," Black Box #9 (1976) audiopublication
"Out and In," The Hudson Review (Summer 1976)
"Watching the Night," The Hudson Review (Summer 1976)
"The Old Woman's Song at Passover," Nimrod (Spring/Summer 1976)
"A Gentle Heart: Three," Sojourner (Spring 1976)
"The Deeds of Grandma Clara," Sunbury (Spring 1976)
"The Wake for Myself," The Midwest Quarterly (Autumn 1975)
"What Praise," The Midwest Quarterly (Autumn 1975)
"Steel Sculpture," The Nation (August 1975)
"How the Dead Count," St. Andrews Review (Spring/Summer 1975); St. Andrews Review Poetry Prize
"Eight Mean Songs: #1, She's Waiting the Night Out," The Virginia Quarterly Review (Autumn 1975)
"Harvest Home," Connections (May 1974)
"A Gentle Heart: Two," Connections (May 1974);
reprinted in MS., (February 1978), and in A Book of Women Poets from Sappho to the Present, please see anthology listings, Part I of c.v.
"Eight Mean Songs," #4 and #5," Connections (May 1974)
"Runes for a Bad Day," Connections #6 (1974)
"Shake," Connections #6 (1974); reprinted in Text-Sound Texts, please see anthology listings, Part I of c.v.
"The Ghost That Walks," The Midwest Quarterly (July 1974); reprinted in The Midwest Quarterly retrospective issue (Spring 1980); reprinted in American Women Poets, please see anthology listings, Part I of c.v.
"Poem, etc.," St. Andrews Review (April 1974)
"Unbelief," Counter/Measures (Spring 1974)
"Eight Mean Songs, #3 and #7," The Falcon (Spring 1973)
"If I Sing," The Literary Review (Summer 1973)
"Materials," The Literary Review (Summer 1973)
"Canyon," The Literary Review (Summer 1973)
"A Ballad of False Comfort," The Little Magazine (Winter 1973)
"The Frame," New York Quarterly (Summer 1973); reprinted in Eating Poetry and in American Woman Poets, please see anthology listings, Part I of c.v.
"The Witch of Hindustan," Nimrod (Fall/Winter 1973)
"Mud Poems," Nimrod (Spring/Summer 1973)
"Domine Deus," The Sewanee Review (Winter 1973)
"Man," Some (Winter 1973)
"The Blob Speaks to its Mother," Some (Winter 1973); reprinted in American Women Poets, please see anthology listings, Part I of c.v
. "The Balance," Some (Winter 1973); reprinted in A Geography of Poets, please see anthology listings, Part I of c.v.
"The Noise," Some (Winter 1973)
"I Imagine You," Some (Winter 1973)
"No Place I've Been," The Southwest Review (Autumn 1973)
"Say, Friend," The American Scholar (Spring 1972)
"Sonnet," The Antioch Review (Fall 1972); reprinted in American Women Poets, see anthology listings, Part I of c.v.
"Sorry, Sweetheart, Here's," The Beloit Poetry Journal (Spring 1972); reprinted in MS. (February 1973)
"A Shifting Thing," Choice (Winter 1972)
"Arrangement of Voices," Columbia University Forum (Summer 1972)
"Three-Man Blues," Equal=Time (Fall 1972)
"Argument Two: Mirrors," The Fiddlehead (Spring 1972)
"Close," Riverrun (Spring 1972)
"Miranda Likes Poems," Riverrun (Spring 1972)
"A Reading Glass," Riverrun (Spring 1972)
"A Denial," The Sewanee Review (Spring 1972)
"Garden," Shenandoah (Spring 1972)
"Aspen Leaves," The Little Magazine (Winter 1972)
"The Grasses," Poetry (April 1971)
"Tug of War," The Sparrow (October 1970)
"Poverty," Anon (1969)
"Eat 'Em Up Smith Tells All in South Africa," The New England Review (February 1969); reprinted in The Norton Anthology of Modern Poetry, see anthology listings, Part I of c.v.
"Eurydice: to Orpheus," Prairie Schooner (Summer 1969)
"Rhyme for the Child as a Wet Dog," The Quest (Winter/Spring 1969) reprinted in The Treasury of American Poetry, please see anthology listings, Part I of c.v.
"Mike Fink, My Hero, Hee," The Southwest Review (Winter, 1969)
"Being Young," Ante (1968)
"The Toad," Ante (1968)
"The Miser," Ante (1968)
"The Light Woman's Song," The Canadian Poetry Magazine (February 1968) reprinted in The Treasury of American Poetry, please see anthology listings, Part I of c.v.
"La Nature Morte de Samual Beckett," The Fiddlehead (Fall 1968)
"Tale to Sleep On," Imprints Quarterly (Summer 1968)
"Watersong," Poetry (May 1968)
"Desire to be Forgotten," The Sewanee Review (Spring 1968)
"Nightpiece," Poetry Northwest (Winter 1967-68); reprinted in We Become New, please see anthology listings, Part I of c.v.
"Happy Jack's Rock," The Beloit Poetry Journal (Winter 1967)
"Three Poses," The Fiddlehead (Winter 1967)
"Da Capo," The Literary Review (Spring 1967)
"To Whom It May Concern," The Literary Review (Fall 1967)
"A Ballad of Good Counsel," Poetry Digest (April/May 1967)
"To An Old Man," Poetry Digest (April/May 1967)
"Chanty of the Lucky Stance," South and West (August 1967)
"Sir Thomas Maleore, Knight," The Southern Poetry Review (Fall 1967)
"A Ballad of Joyous Death," Lumenn (1966)
"Cri," Le Bayou (Summer 1956)
"They Gave Him Vinegar to Drink..." The Atlantic Monthly (September 1955)
BOOK REVIEWS "How to Read Like a Heroine," (review of Rachel Brownstein's Becoming A Heroine: Reading About Women in Novels) MS. (February 1983)
"June's Tune," (review of June Jordan's New Days; reductive title supplied by review editor without consultation) The Village Voice (December 2, 1974)
(and about 20 assorted brief reviews for the Book-of-the-Month Club Notes and the Kirkus Service, no longer retrievable)
----------------
Section B: Biographical and Critical Attention
Reviews (selected)
The Ice Lizard
Women's Review of Books, Dec., 1992
Poetry Flash, Dec. 1992
Library Journal, Sept., 1992
Kenyon Review, 1993
Sulfur, 1993
How the Dead Count
Parnassus, Vol. VIII, Fall 1979, p. 270
Western Humanities Review, Vol. 33, Spring 1979, p. 174
The Village Voice, Vol. 23, Dec. 18, 1978, p. 118
Choice, Vol. 15, July, 1978, p. 693
New York Times Book Review, May 21, 1978, p. 22
Kliat, Vol. 12, Spring, 1978, p. 17
Library Journal, Vol. 103, Feb. 15, 1978, p. 466
Saturday Review, Vol. 5, Jan 21, 1978, p. 52
Transparencies
The Georgia Review, Vol. 34, Spring 1980, p. 226
Choice, Vol. 15, Dec. 1978, p. 1374
The Nation, Vol. 227, Dec. 23, 1978, p. 713
Booklist, Vol. 75, Nov. 15, 1978, p. 521
The Town Scold
The Georgia Review, Vol. 34, Spring 1980, p. 226
Choice, Vol. 15, July 1978, p. 693
Harpers Magazine, Vol. 256, June 1978, p. 86
Dead's Good Company
The Georgia Review, Vol. 34, Spring 1980, p. 226
Choice, Vol. 16, Sept. 1979, p. 72
Impossible Buildings
Poetry, Vol. 124, May 1974, p. 103
New York Times Book Review, August 13, 1973, p. 7
Library Journal, Vol. 98, March 15, 1973, p. 874
Kirkus Review, Vol. 41, Feb. 15, 1973, p. 242
The Life of Riot
Virginia Quarterly Review, Vol. 46, Fall 1970, p. 129
Saturday Review, Vol. 53, Sept. 5, 1970, p. 27
Library Journal, Vol. 95, Sept. 15, 1970, p. 3081
Library Journal, Vol. 95, Aug. 1970, p. 2721
New York Times Book Review, July 19, 1970, p. 30
Kirkus Review, Vol. 38, March 1, 1970, p. 276
Publishers Weekly, Vol. 197, March 16, 1970, p. 55
Uranium Poems
Virginia Quarterly Review, Vol. 46, Winter 1970, p. 12
Booklist, Vol. 66, Dec. 15, 1969, p. 488
Choice, Vol. 6, Oct. 1969, p. 1018
Poetry, Vol. 52, Oct. 1969, p. 47
Library Journal, Vol. 94, Sept. 15, 1969, p. 3072
Saturday Review, Vol. 52, Sept. 6, 1969, p. 62
The Hudson Review, Vol.22, Fall 1969, p. 503
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Section C: Grant-funded Projects
At SUNYA
Conference: "Women, Multiculturalism, and the Avant-Garde," Writers' Institute of New York and SUNY Affirmative Action Office
13th Moon, funded by the College of Humanities and Fine Arts and the Office for Research.
The Little Magazine, funded by the College of Humanities and Fine Arts and the Office for Research.
New York Humanities Council, 1988: wrote successful grant proposal for The Ethel Schwabacher Conference.
NEA Writers in Residence, 1984: wrote successful grant proposal; coordinated campus and off-campus residencies of Paul Metcalf and Jackson Mac Low.
Poets and Writers, 1984-85: obtained Poets and Writers co-funding for the English Department's Program Committee.
NEA Writers in Residence, 1982-83: assisted in writing successful grant proposal; assisted in coordinating campus residencies of Carolyn Kizer and Samuel Delaney.
New York Humanities Council, Black Women Poets Series, 1984: wrote successful grant proposal; coordinated campus and off-campus residencies and appearances of Audre Lorde, June Jordan, Gloria Hull, Gloria Oden, Erlene Stetson, and Lucille Clifton.
New York Humanities Council, Open Spaces: A Conference on Women's Theater, 1983: assisted in coordinating readings of new plays by women playwrights during the conference.
At Poetry Society of America
1975-81 NEA funded book distribution program, Poets & Writers funded readings, New York Humanities Council funded Wallace Stevens Centennial Celebration, Witter Bynner Foundation general support for Awards Program, etc. -------------
Section D: University Teaching and Service
Subjects Taught
1. English Courses (many of these cross-listed in Women's Studies)
Writing and Poetics:
English 715, Mythopoeisis: The Great Goddess of the Ancient World
English 600 (2001 version), The Creative Process: Theory and Practice (complete reconceptualization of earlier course)
English 600, Theories and Practice of Creativity (new course developed for Ph.D. program)
English 615, Poetics and Literary Practice (new course developed for Ph.D. Program--at various times this has focused on traditional poetics, magical poetics, or activist and feminist poetics)
English 594, Practical Poetics (new course developed for Ph.D. program)
English 715, Translation workshop (new course developed jointly with Pierre Joris)
English 515, graduate poetry workshop
English 515, reading graduate students' poems from the perspectives of literary critics (new course developed jointly with Don Byrd for Ph. D. program)
English 516, graduate fiction workshop
English 515/516 graduate workshop in cross-genre experimental writing (new course developed for Ph.D. program)
English 516, reading graduate students' fiction from the perspectives of literary critics (new course developed for Ph. D. program,)
English 405, writing poetry
English 403, writing prose fiction
English 302, creative writing
English 100, English composition
Literature:
English 685, Modernism and Surrealism (new course)
English 664, Prosody and Poetics of Whitman, Dickinson, and Hopkins (new course)
English 582: The Great Goddess in Myth and Literature (new course)
English 581/446, The Surrealist Movement in Literature and Art (new course)
English 580/447, The Historical Imagination and the American Grotesque (new course)
English 538/366; WSS 399, Modern Women Poets
English 538/366; WSS 399, Black Women Poets
English 538/366, Women's Poetry: Sappho to the Present (new courses developed for Department of English and the Women's Studies Program)
English 499, Honors Seminar IV, Revolution in Science and Literature (new course developed for Honors Program)
English 447, The historical Imagination and the American Grotesque (new course)
English 447, The Historical Imagination in Fiction and Poetry
English 446, The Other Modernists: Modernism, Alterity, and Canonicity, (new course)
English 354, Charles Olson and Muriel Rukeyser (new course)
English 352, Jane Austen (new course)
English 352, Charles Dickens
English 353, WSS 399, Plath and Sexton (new course)
English 354, Yeats, Sitwell, and Dylan Thomas (new course)
English 354, Hopkins and Yeats (new course)
English 354, Eliot and H.D. (new course)
English 353, WSS 399, Emily Dickinson (new course)
English 289, Contemporary Women Poets of the World (new course, developed under the general course number for contemporary topics)
English 289, Contemporary Poetry
English 260L, Forms of Poetry
English 260L, Forms of Poetry, large lecture course format
English 243, Society's Nightmares: Horror Fiction and Film, (new course)
English 234, Modern Poetry
English 226, Genre and the Traditions of Oral Poetry
Eng 226, The Genre of Fantasy Fiction
Eng 226, The Genres of Gothic and Horror Fiction
(new courses developed for SUNYA under this number for study of a topic or a genre)
English 215L, Methods of Literary Criticism: myth
English 215L, Methods of Literary Criticism: popular mythology: horror fiction and film(new course)
English 124E, Reading Poetry (Writing Intensive)
Pedagogy:
English 770, The Teaching of Writing and Literature
English 775, Topics in Teaching: Myth (new course, originated and taught by graduate students, facilitated jointly with Harry Staley)
2. Women's Studies
Women's Studies 498/599: Gender, Politics, and Poetics (new course, developed with Morton Schoolman of Political Science)
Women's Studies 280: Society's Nightmares: Images of Gender, Race and Class in Horror Film and Fiction (new course)
3. Interdisciplinary University Courses
UNI 301, Globalization in Cultures and Societies, new course for upper level Presidential Scholars, developed 2001 as an interdisciplinary team effort, with Morton Schoolman of Political Science and Miguel Aguilera of Anthropology, re conceptualized 2002 with Vivien Ng of Women's Studies, as a course on Film as a Medium of Global Cultural Exchange and Transformation
UNI 101-102, Foundations of Great Ideas: Order and Chaos, new course for incoming Presidential Scholars, developed and taught with varying formats and contents, as an interdiscplinary team effort, with faculty from 9-15 departments.
Independent Study and Internship Supervisor
Graduate
2003-2004, Ray Wood, editing a literary journal; Shane Mcconnell, writing haiku; Alexander Chirila, Conrad and Mythic Structures
2002-2003, Mildred Tres, editing a literary journal
2001-2002, Mildred Treis,Tim Coffey, editing a literary journal
2000-2001, Alison Craig and Carian Colman, editing a literary journal
1999-2000, Mary Lannon and Pat Dyjak, editing a literary journal
1998-99: Michael Needle, literature and theories of sexuality
1997-98, Susan Kayorie, editing a literary journal; Joan Goodman, teaching Emily Dickinson
1996-97. Linda Scoville and Megeen Mulholland, editing a literary journal;Tina Caruso and Joan Goodman, Teaching popular literature
1995-96, Robin Wood and Annie Verbicky, editing a literary journal; Tressa Gilliland, teaching popular literature
1994-95. Catherine Sustana, Editing a literary journal; Annie Verbicky, lesbian fiction; Lisa Vitello, women's fiction; Kathleen Sims, women's fiction; Claudia Ricci, women's narrative; Sally Rhoades, women's narratives
1993-94, Joyce Hinnefeld, editing a literary journal
1992-93, Jennifer Spungin: teaching undergraduate course in Women Poets. Katie Yates: The Book as Art: etching and publishing a fine edition; Stuart Bartow, writing a long poetry sequence.
1991-92, Amy Schoch: teaching undergraduate course in Women Poets; Lori Anderson: teaching undergraduate Emily Dickinson course. Wilma Kahn: publishing a literary magazine.
1990-91, Beth Weatherby, Cindy Parrish, Jon Post:teaching undergraduate Methods of Literary Criticism:myth. Carla Steinberg: teaching undergraduate poetry writing. Wilma Kahn: publishing a literary magazine and administration of SUNY Writers Conference
1989-90, Mark Felthousen, Jon Post, Sharon Stenson:teaching undergraduate poetry writing.
1989, Brian Kennedy:intermedia poetry and music project.
1987, Mary Galvin, Diane Lunde, Julie Labanauskas, Greg Hewitt, Mykie Reidy: Women's Poetic Traditions.
1986, Derek Owens, Writing Prose Poetry.
1985, Susan Chast, Writing Dramatic Poetry. Jill Hanifan, Mary Ann Moran, Contemporary Women's Poetry.
1984, Bruce Henderson, Visionary Fiction. Joseph Bocchi, Experimental Short Fiction.
1984, Cynde Gregory, Writing Short Fiction.
1983, Susan Shafarzek, Parody and Stylistic Imitation of Women Poets.
1982, Jean Easton, Prosody and Poetics. Cynde Gregory, Poetics of American Sign Language.
1981, Charles Fishman, Writing Poetry.
Undergraduate
2004-2005, Emily Caraco, writing poetry, Kimberley Di Barbieri, writing poetry
2002-2004, various groups, about 6 each year, editing a literary journal
2001-2002, group of 5, editing a literary journal
2000-01, group of 3, editing a literary journal
1999-2000, group of 4, editing a literary journal
1998-99, Stephanie Street, Nina Alvarez, and 4 others, editing a literary journal; Brigid Bergin, American Grotesques
1997-98, "J1Live," History of Rap as an Art
1994-98, about 7 interns per semester, editing a literary journal
1993-94, Heather Latant (summer law internship); Christie Robbins (summer counseling internship); Amanda Wolfe and Kate Menconeri, editing a literary journal;
1992-93: Wendy Burbank, Emily Novak, and 6 others, teaching women's poetry.
1992-Lara Kahan and 3 others, teaching women's poetry.
1990, Siobhan Dillon, Writing Fiction
1989, Carol Provoncha, Neil Elman, Scott Limmer, Siobhan Dillon, Jeremy Toth, Alison Boak: Teaching Concepts of Gender, Race and Class in Genre Fiction; Kimberley Di Angelo, Parody and Imitation: The Voices of Women's Poetry
1987, Andrew Gelbman, Using Role Playing Games to Teach Writing
1986-87, Ann McTernan, Horror Fiction. William Scher, The Fiction of Joyce Carol Oates, honors program.
1985, Susan Cohn, Writing Science Fiction.
1984, Nancy Klepsh, Parody and Stylistic Imitation of Women Poets. Brad Williams, Writing a Long Poetic Sequence.
Doctoral Dissertations
2003-2005, Patricia Dyjak, Feminism, Patriarchal Religions, and the Great Chain of Being (chair); Menoukha Case, Nigerian Poetics as a Force for Change (chair); Mildred Treis, 19th Century American Women Writers
2003-2004, Corel Lenhart, fiction; Annie Dellert, fiction;
2001-2002, Maria Palmara, fiction (chair);Steve Hartman (Influence of Thoreau) reader
1999-2002,Mary Lannon (fiction) chair; Joan Goodman (poetics) chair
1997-2001,Tressa Gilliland (memoir), chair; Mary Perrone (Emily Dickinson) reader;
1998-2000.Alyssa Colton (fiction) chair;
1995-97, Peggy Woods (fiction), chair;
J 1995-99, John LeMay (fiction), reader
1994-95, Joanne Tangorra (poetry), chair.
1994-95, Stuart Bartow (poetry) reader.
1994-96, Claudia Ricci (fiction), reader
1993-94, Kathleen Conway (fiction), reader.
1991-98, Jane Beaudoin (novel), chair.
1992-93, Suzette Bishop (poetry), reader.
1992-93, Barbara Chepaitis (fiction) reader
1990-93, Mary Galvin (poetics of 1920's Lesbian Writers), Chair.(Book published 1998)
1991-93, Jon Post (performance and pedagogy), Chair
1992, Wilma Kahn (novel) Chair. (president's award for outstanding dissertation)
1992, Esperanza Cintron (fiction),Chair.
1992, Lale Davidson (mixed genre),Chair.
1991-92, Carla Steinberg (novel),Chair.
1991-92, Cindy Parrish (novel), Chair
1991-92, Lori Anderson (poetry), Chair (Dissertation won the Eight Mountain Poetry Prize and was published 1992)
1991-92, Clare Dean (novel) Chair
1990-92, Julie Gutmann (meditative poetry/prose), Chair.
1991-92, Beth Weatherby (novel), Reader.
1991-92, Jan Ramjerdi (novel), Reader.
1990, George Kalamaras (rhetoric) , Reader.(book published)
1990, Mary Ann Cain (pedagogy and writing), Reader. (bpok published).
1989-90, Diane Lunde (poetry) Chair. (president's award for oustanding dissertation)
1989-92, Lesley Kuhn (poetry) Chair
1988, Susan Shafarzek (fiction) Chair,
1987, Frank Lofaro (poetry) Reader.
1987, Jill Hanifan (poetry), Chair.
1987, Robert Harlow, (poetry), Chair.
1986, Jean Easton (poetry), Chair.
1986, Bruce Henderson (novel), Chair.
1985, Cheryl Nelson (novel), Reader.
1985, Barbara Blatner (poetry), Chair.
1983, Maxine Doherty (short fiction), Reader.
1981, Charles Fishman (poetry), Chair. (President's Award for Outstanding Dissertation; published 1988))
Master of Arts Theses
2003-2005, Mindy Ronson (memoir); Ray Wood (Claude Cahun's art--Women's Studies thesis);
2002-2003, Nick Weiss (memoir); Julie Demers (drama), Cheryl Schoonmaker (poetry); Paul martone (fiction/memoir);p> 2001-2002, Lynee Sauer (Women's Studies---fiction);
2000-01, Mary Adler (short fiction) chair; MaryClare O'Connor (Performing Plato's Symposium) chair
1999-2000, Russ Schipp ( verse novel);
1998-99: Felicia Kreitl (short fiction), chair; Steve Sutcliffe (novel) chair.
Examination Committees
Ph.D.
2004-2005, Danielle Jones;
2003-2004, Menoukha Case (chair), Patricia Dyjak (chair)
2002-2003, Mildred Treis
2001-2002, Lois Raskin; Annie Verbicky (chair);
1999-2001, Scott O'Callaghan; Mary Lannan (chair); Joan Goodman (chair); Corel Brown (co-chair); Steve Hartman
1998-99, Christina Miletti, Alyssa Colton (chair), Mary Perrone
1995-95, John LeMay. Claudia Ricci, Peggy Woods (chair)
1994, Joanne Tangorra, (chair)
Doctor of Arts:
2001-2002, Barbara Warschawki
1995-2001, Tressa Gilliland (chair)
1992-93, Ron McLean, Katie Yates 1991-92, Esperanza Cintron (chair), Jon Post (chair), Lale Davidson (chair), Wilma Kahn (chair), Suzette Bishop (chair), Barbara Chepaitis
1990-91, Cindy Parrish (chair), Beth Weatherby, Carla Steinberg (chair)
1989-90, George Kalamaras, Lesley Kuhn, Mary Galvin (chair), Diane Lunde (chair), Greg Hewett, Julie Gutman (chair)
1987-88, Ken Denberg (chair), Kim Connell (chair)
1986-87, Jill Hanifan (chair), Bruce Henderson (chair), Jean Easton (chair)
1985-86, Cynde Gregory (chair), Barbara Blatner (chair)
1984-85, Cheryl Nelson, Gary McLouth, Susan Shafarzek (chair), Joseph Bocchi,
Master of Arts:
2003-2004, Judith Lipton
1995-96, Sally Rhoades, Catherine Wayland
1994-95, Tony Valentine, Luanne Williams, Sean Sardi, Lisa Vitello
1993-94, Chaviya Hirsh, Brook Hobson
1992-93, Don Portolese
1991-92, Jerry Burke, Janine Hyde
1990-91, Sharon Stenson
1988-89, Andrea Willison, Daniel Lorber
1987-88, Mary Galvin, Chuck Rothman (Rothman's examination area was in Cyber-Punk Science Fiction; he is now a published science fiction novelist), Derek Owens
1986-87, Maureen Shaughnessy, Brad Velkoff
Undergraduate Honors Theses
2003-2004, Jamerson Maurer, Antonin Artaud's Theater of Cruelty (Presidnetial Award for Excellence in Undergraduate Research) (chair); Gerard Renner, The Clockwork Orange
2000-2002: 3 on various topics 1998-99: Rebecca Weiner (Nature and The Grotesque ); 1994-95: Elaine Mehalakes (Surrealism).
University Service
Departmental Committees:
English
UAC, 2001-2202
Technology Committee, 2000-03
Popular Culture / Film/ American Literature search committee, 2000-01
MA committee, 1999-2000
Committee to revise the M.A., 1998-99
Tenure Review Committee, Laura Marello, 1998-99
Term Renewal Review Committee, Laura Marello, 1995,96
Tenure Review Committee, Marjorie Pryse,1994-95
Fiction Search Committee, 1999-2000; 1992-93, Chair.
Promotion Committee, Cy Knoblauch, 1992-93.
Summer Seminar Committee, 1989-90
Promotion Committee, Tom Smith, 1990?
Promotion Committee, Don Byrd, 1989
Honors Committee, 1989-90, 1988-89
Graduate Advisory Committee, 1994-95,1993-94, 1989-90,1987-88,
Minority Recruitment, graduate program, 1991-93, 1989-90
Target of Opportunity Search Committee, 1991-92, 1987-88
Graduate Admissions, 1986-90
Poetry Search Committee, 1991-92, 1988-89, 1986-87,1985-86
Program Committee, 1983-85
Writing Committee, 1995, 1991-92, 1981-85
Director-of-Journalism Search Committee, 1983
Women's Studies (Women's Studies committees while still a University interdepartmental program under University committees, below)
Undergraduate Committee, Technology Commitee (2004-2005)
Steering Committee, 1999-2001
Curriculum Committee, 1994-95
College Committees:
Council of Chairs Ad Hoc Committee to Revise University Planning Document, 1995-96,Chair
Board of Center for Humanities and Fine Arts, 1994-95
Personnel Committee, 1992-93, 1989-90
Committee on Academic Standing, 1984-85
Schweitzer Chair Fellowship Screening Committee, 1985,1986-87
Council of Chairs, 1994-95
Dean's Advisory Committee, 1995
University Committees:
Gen Ed Committee, 2004-2005
Honors Programs Commitee (chair), 2002-2005
CETL Advisory Board on Technology, 2000-01
President's Advisory Committee on Research, 1997-98
Search Committee for V.P. Research, 1997-99
Initiatives for Women Committee, 1995-96,1994-95
Committee on Graduate Certificate on Women in Public Policy, 1994-95
Committee on Promotion and Continuing Appointment, 1990-91
Freshmen Orientation Book Committee, 1990-91
Women's Studies Advisory Committee, 1983-1988
Women's Studies Brochure Committee, 1987-88
Women's Studies Program Committee, 1983-85
Affirmative Action Committee, 1984-85
SUNY-wide Committees:
SUNY-wide Committee on the Arts, 1987-90
Coordinating Committee for SUNY Writer's Conference: at SUNYA, 1989-91,1983-84, campus coordinator and planner;
at Binghamton, 1986-87, consultant
University Senate:
Senator, 1990-91, 1986-88
University Community Council, 1987-88
University Council Subcommittee on Names of University Facilities: 1987-88
Writers' Institute of New York:
Consultant, New York State Poet Award, 1986-89
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