Postcolonial Literature of the Caribbean, A Pathfinder
Postcolonial Literature of the Caribbean
A Pathfinder


caliban.gif

James Ward (1769-1859): Miranda and Caliban (the Royal Shakespeare Theatre Collection, Stratford-upon-Avon).




Introduction and Scope

Postcolonial cultural and literary theories were formally conceived of in the academy during the last quarter century. These theories evolved out of the need for new and progressive conceptual frameworks by which to explore the cultural, socioeconomic, and sociopolitical trends which have indelibly marked regions of the world where colonization has played an influential role in the evolution of culture and history.

Today, with issues of race, class, and gender at their core, postcolonial theories deconstruct prevailing ideals of history, and uncover the ways in which political, economic, and social systems have been constructed and transformed in societies where cultures have been forcibly meshed by imperialism and colonization. Postcolonial cultural and literary theories trace the origins of forms of cultural expression in postcolonial societies, elucidating the interconnectedness of the colonized and the colonizer as manifested in linguistic, semiotic, and aesthetic traditions.

With African, British, Dutch, French, Indian, and Spanish influences, the Caribbean islands were immeasurably affected by colonization, which began with the discovery of the Western Hemisphere and the advent of the Transatlantic Slave Trade by Western European nations in the 1500s and 1600s. In this postcolonial era, the culture of Caribbean societies still bear historical, political, linguistic, and cultural influences of colonization, and postcolonial theories are being utilized to develop critical frameworks by which to understand the impact of these influences on contemporary forms of cultural expression which have developed in the Caribbean. Specifically, the body of literature produced by Caribbean writers in this postcolonial era is one area of research which has come to the forefront of contemporary postcolonial studies, and in particular, postcolonial literary theory. Caribbean authors of the postcolonial era have written important works which reflect the experience of slavery, cultural oppression, colonization, and the complex relationships which developed between the colonized and the colonizer.

This pathfinder is intended primarily for undergraduate-level students at the University at Albany doing research in postcolonial studies, Caribbean Studies, and on postcolonial literature of the Caribbean. It is designed to enable students to locate research materials which outline and discuss postcolonial theory in general; to identify works by postcolonial-era Caribbean authors and critical works on them; and to uncover research materials which examine postcolonial theory in the context of Caribbean literature. However, in order to appropriately research the body of literature written by Caribbean authors from the postcolonial era, the history of slavery, colonization, and independence, social, and political movements in the Caribbean from the 1600s on must be considered. To this end, resources focusing on the general history of the Caribbean are included in order to provide an appropriate scope.

This pathfinder includes reference and non-reference materials. Unless otherwise noted, all items listed are available in the main library at the University at Albany (UALB ULIB) or the Dewey Graduate Library (UALB DEWEY). Call numbers are provided where applicable.


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Subject Headings and Browsing Areas

Browsing Areas

Library of Congress Subject Headings


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Encyclopedias

There are a number of encyclopedias which can aid in researching postcolonial Caribbean literature and Caribbean history and culture. These resources provide information on a wide range of topics, issues, and personalities important in Caribbean history, Caribbean literature, and postcolonial theory.


General Postcolonial Studies Encyclopedias

Postcolonial Art and Literature Encyclopedias

Caribbean General History and Culture Encyclopedias

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Dictionaries

Like encyclopedias, dictionaries are valuable tools in identifying and exploring the key concepts and individuals invovled in any discipline. The three dictionaries listed here are especially valuable for research in the areas of postcolonial theory and postcolonial literature of the Caribbean.
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Research Guides and Directories

In studying the postcolonial Caribbean and its literature, researching the history of discovery, slavery, imperialism, colonization, and independence movements in the Caribbean is an important foundation for a critical analysis of its art, literature and culture. The research guides and directories listed here are each designed to aid researchers seeking to identify information resources in the area of Caribbean history and culture.
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Bibliographic Sources

In studying any genre of literature, bibliographic information is integral to the research process. Bibliographic information sources link the researcher with works by writers and about writers. The items listed here will help to identify popular works, discover new works, and uncover critical works about authors.


General Bibliographies

Caribbean Literature Written in English

Afro-Caribbean Literature

Caribbean Womens Literature Bibliographies

Caribbean Poetry Written in English

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Biographical Sources

In the study of arts and literature, biographical information is a key factor in understanding individual and collective forms of expression. In providing information on the lives and backgrounds of artists, biographical information sources help researchers to analyze connections between forms of artistic expression and the contexts and cultures from which artists originate.


Biographical Information on Caribbean Writers

General Biographical Information on Notable Caribbeans

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Important Works on Postcolonial Theory and Literature

Postcolonial theory is underpinned by a rich and expanding collection of scholarly texts. What follows is a list of important works on postcolonial theory, each of which can play a role in understanding essential concepts in postcolonial studies and their philosophical foundations. In particular, the works by Césaire, Fanon, and Said have strongly influenced the development of literary, racial, and cultural theories in the late 20th century.
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Indexes and Abstracts

Indexes and abstracts represent an important aspect of the research process in studying postcolonial theory and postcolonial literature. Scholarly articles, particularly in the area of literary criticism, are published in respected journals worldwide. The databases listed here represent the University at Albany's most important electronic resources for research in the areas of postcolonial theory and postcolonial literature of the Caribbean. While some provide full text access to journal articles, others provide citations to articles which can be accessed in the library's journal collection or via interlibrary loan.
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Periodicals

Scholarly journals are extremely important resources for research in postcolonial studies. Journals currently published range in focus, from those that cover general postcolonial theory to those covering postcolonial literary theory and specific postcolonial literatures. This is a sampling of some of the more widely regarded journals devoted to postcolonial theory and postcolonial literatures. Main focus, indexing, and ISSN information is included for each journal.
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Internet Resources

There are a number of resources available on the internet which enhance the research process for students studying postcolonial theory and postcolonial literature of the Caribbean. The websites listed here are introductory in nature and cover a broad range of topics. The Brown University web site is especially well known in academic circles as an authoritative source of information on postcolonial theory and literature.
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- Notes on James Ward's Miranda and Caliban :

British painter and engraver James Ward was born in London in 1769. He is best known for his paintings of animals, but is well regarded for his prolific body of work eclectic style. Ward is considered a painter of the Romantic genre, and the painting Miranda and Caliban, depicting a scene in Shakespeare's playThe Tempest, is an example of this style.


- Notes on Shakespeare'sThe Tempest and postcolonial studies:

Written in 1610-1611, William Shakespeare's play The Tempest has long been a significant work for scholars of postcolonial art, literature, and culture. The play is set on an enchanted, pastoral island, and while a precise location is never given, many of the themes developed by Shakespeare within the basic plot and dialogue touch on issues of conquest, oppression, the ideal of history, and identity in self, culture, and nation. These issues are among many central to postcolonial studies.

The events which unfold inThe Tempest and the complex relationships which Shakespeare develops among the main characters can be related to the historical and cultural relationships between the colonized and the colonizer in both colonial and postcolonial contexts. In literary studies, this connection has become especially prevelant. As Thomas Corelli states, the characters Ariel, Prospero's spirit helper; Caliban; Prospero's servant and son of the witch Sycorax; Miranda, daughter of Prospero; and Prospero, exiled Duke of Milan, have become "interpretive touchstones for critics who search out their permutations in writing."

In postcolonial literary and cultural theories, the character Caliban in particular has come to symbolize the colonized and a victim of psychological and cultural oppression. He is often characterized as a symbol of "the other," or culturally (and politically) marginalized persons or groups whose cultural identities and histories are distorted and suppressed within the power structure of colonization. In this paradigm, Prospero represents the colonizer; the dominant agent of history, who upholds a cultural ideal through psychological and physical force, which "the other" is infinitely situated in relation to.


For further information on postcolonial theory and Shakespeare'sThe Tempest, see the following:


Comments? Suggestions? Email es1422@albany.edu.