Roger Evans ----------- 2004-present Director of Music, Church of the Holy Comforter, Charlottesville, Virginia 2001-2003 Director of Liturgy and Music, Church of St. Raphael the Archangel (Jesuits), Raleigh, North Carolina July 1999-April 2001 Consultant, New Media, Sony Classical July 1996-November 2000 Deputy Organist and Choirmaster, Trinity Church, Wall Street January-April 1998 artistic and marketing Consultant to the Executive Director of the Brooklyn Philharmonic Orchestra June-December 1997 Consultant, Editorial, Sony Classical July 1998-June 1999 United States Publicist for Angel Records/EMI Classics/Virgin Classics 1995-96 Director of New Media, BMG Classics 1989-96 Director of Music, Church of St. Monica, New York 1992-95 Editor, RCA Victor Red Seal, BMG Classics 1981-87 The Church of St. Ignatius Loyola, New York: Director of Music (1984-87), Organist and Choirmaster (1981-84) 1981-84 Associate Director, the Loyola Pastoral Institute 1976-81 Assistant Professor of Music, the University of Pittsburgh (on leave as Mellon Fellow, 1979-80) 1977-81 Director of Music, Rodef Shalom Congregation in Pittsburgh Faculty member of Baruch College (Adjunct), Yale University (Visiting), University of California at Los Angeles (Visiting) 2003-2004 Author of music sections of forthcoming Sourcebook for Sundays and Seasons: An Almanac of Parish Liturgy (Chicago: Liturgy Training Publications) 1996-98 Two continuing weekly columns on the World Wide Web (one on books, the other on arts and entertainment) Featured speaker at the media forum of Musik Komm., Cologne, September 1996 Article on production of Leonore (the Lincoln Center Festival), The Beethoven Quarterly (fall 1996) Moderator of panel on the future of classical recording at the Annual Meeting of the American Musicological Society, 1995 In charge of music for "Preaching the Just Word" conference of priests under Walter J. Burghardt, S.J. (summer 1992) Many papers for the American Musicological Society, the Music Library Association, etc. Articles and reviews for popular publications including Opera News (reviews of the Gran Teatre del Liceu, Barcelona; tribute to Marilyn Horne, etc.), National Review (article on the International Josquin Festival, interview with Eleanor Steber, reviews of recordings of Purcell opera, Bach cantatas, Wagner libretto translations), Hosanna, etc. Dozens of sets of liner notes for internationally-released CDs (recordings by Kissin, Galway, Von Stade, Isserlis, Perahia, Richter, Slatkin, Zukerman, Temirkanov, etc.) Published interviews with Crespin, Scotto, Jerusalem, Von Stade (twice), Anne Akiko Meyers Contributor ("Cantor") to the Dictionary of the Middle Ages (Scribner's) Performed or was interviewed on four NPR broadcasts Musical consultant to BBC/PBS Shakespeare series On advisory boards for the Carnegie Library of Pittsburgh's Music Department and Duquesne University's Anglican-Catholic Studies Program (1978-81) Faculty member of first National Cantors School Very numerous solo recitals (organ or harpsichord), concert accompaniments (piano or continuo), conductor for many hundreds of high- profile choral services (and around 70 weddings and 70 funerals per year) at St. Ignatius Loyola Education Doctor of Philosophy (Ph.D.) in musicology (Graduate School of the City University of New York; dissertation: Amalarius of Metz and the Singing of the Carolingian Offices, Gustave Reese, supervisor); Music Master (Mus.M.) in organ and harpsichord (Yale); Bachelor of Musis (Stetson); further study in Oxford, London, Cambridge (choral music under Sir David Wilcocks), Amsterdam (organ with Gustav Leonhardt); three years as Gustave Reese's assistant Awards Winner of three National Endowment for the Humanities grants and an Association for Cultural Exchange grant; Andrew W. Mellon Postdoctoral Fellow's Internship, the Smithsonian Institution, Washington's winner of the young artist's award of the Cambridge Society for Early Music (the Erwin Bodky International Competition) as organist First Prize, Faculty Research Award, the University of Pittsburgh (for an annotated translation of the Liber de ordine antiphonarii of Amalarius of Metz)