The Return of the Experiment

Artistís notes...

It is impossible faor an artist to accuratley
portray without existing visual material something as complex as a city of another era. In such cases I always build scale models. I began this one by basing my layout on a 1770 map of Albany which clearly indicated the location and arrangement of major structures. Utilizing my earlier research I first built models of the well-known buildings which included the Dutch Church and City Hall. They were followed by dozens of houses, barns and outbuildings. I also modeled Experiment and other river craft. Once I had a way to study the old city I started making sketches. After much consideration and many color studies I decided to place the viewer south of City Hall at about rooftop height looking north up the Hudson River. This position placed Experiment in the lower right foreground of the painting moving away from the viewer toward City Hall Dock. The likelihood that Deanís return to Albany looked anything like my painting is small. For all we know he could have arrived in the middle of the night or during a storm or even at a different time of year. I do believe, however, that the Albany I painted is close to what existed at that time and that if Captain Dean sailed up to City Hall Dock on a sunny late afternoon in June of 1787 this is what we would have seen from our rooftop perch. After working on this commissioned painting for one year it was finally completed and installed in the lobby of the KeyCorp Building on South Pearl Street in Albany.

 


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