Assistant Professor of Hispanic and Italian Studies
Degree/Institution: PhD University of California, Irvine
Office: HU 227
Phone: (518) 442-4222/4100
Research: 20th – 21st century Latin American narrative; Magical Realism, the Fantastic, and the Gothic in Latin American literature; Transatlantic Studies; Latin American Historical Fiction; U.S. Latina and Latino Literature and Cultural Studies.
Teaching: History and the Novel in Latin American Literature,
The Novel of the Mexican Revolution,
Latin American Literature: Illusion, Fantasy, and Magical Realism,
From Novel to Film: Latin American Texts on the Big Screen,
Myth, Apparitions and the Haunted in Latin American Literature,
Introduction to Latin American Short Story
Carmen Serrano graduated with a Ph.D. in Spanish with a specialization in Latin American literature from the University of California, Irvine in the fall of 2009. Prior to joining our department, she was a Visiting Assistant Professor at Colgate University in Hamilton, New York and at Bates College in Lewiston, Maine.
Her book project Monsters, Vampires and Doppelgängers: Innovation and Transformation of Gothic Forms in Latin American Narratives is broadly situated within the interdisciplinary field of cultural studies framed in a transatlantic context. She explores the ways in which Augusto Roa Bastos in Yo El Supremo (1973), Carlos Fuentes in Aura (1962) and Juan Rulfo in Pedro Páramo (1955) mobilize Gothic discursive practices and imagery to create alternative versions of the past that question national historical narratives. At the same time, she discusses how the use of fear and the monstrous serve to articulate contemporary anxieties in a specific Latin American social-political crossroads. In addition to working on themes of the supernatural in literature and historical fiction, she has also written papers on the Novel of the Mexican Revolution and film. She has presented conference papers at the Mexican Conference, The International Gothic Association, Latin American Studies Association Conference, MESEA and the Latina/o Literary Theory & Criticism Conference.