Syllabus

Requirements:
Readings & Supplies
Daniel J. Cohen and Roy Rosenzweig, Digital History: A Guide to Gathering, Preserving, and Presenting the Past on the Web (Philadelphia: University of Pennsylvania Press, 2006)

Almost all of the other readings for this course are available online. Those not pubicly accessible through the web may be accessed through the Electronic Reserve system. To access the Electronic Reserve system, go to http://eres.ulib.albany.edu, search for HIS 390/530 and then type "digitalhis" at the password prompt.

In addition, you will be expected to purchase 1 flash drive (or "jump drive" or "memory stick") for saving your project. A 256 MB drive is sufficient. You must also purchase at least 3 CD-RW disks for saving your project and for distributing your final project to your peer reviewers.

Assignments
Web Project: The majority of your time in this course will be spent on the research, design, and production of your own web project. This project is to be a work of original historical research, based on primary source documents, on any U.S. history topic of interest to you (and approved by Dr. Taylor). The project will take the form of a website, rather than a traditional paper, and will be evaluated based on the quality and originality of the research, as well as the appropriateness of the web design for the topic. You will not simply reproduce a paper online, but instead will explore how the web can represent your topic in ways that a published book or article cannot.

In addition, the following assignments related to the final project will be due throughout the semester:

Topic Paragraph (September 10) - A one-paragraph statement of your proposed research topic and a short description of what your proposed website might accomplish.

Bibliography (September 24) - A list of primary sources you have found related to your topic, as well as a survey of relevant secondary sources-both printed and online.

Project Overview (October 22) - A 5-page overview of your website, including: description of the research, rationale for the chosen site design and its relationship to the research, discussion of the intended audience, historiographical justification of the research, and an expanded bibliography. More details about this overview will follow.

"About the Producer" Web Page (October 29) - This is your chance to practice the web design skills you have learned by building one of the pages of your final web project. This page is about you - and must include at least one image, 2-3 links, and 2-3 paragraphs of text.

Final Project Presentation (November 26 and December 3) - A 5-minute demonstration of your site to the entire class. This demonstration will be followed by a discussion led by your assigned peer reviewers (see below). For His 530 students only: You must also turn in a 3-5 page interpretation of your website that explains and rationalizes the choices you made.

2 Web Reviews (For His 530 students only) (October 8 & 15) - For each of these two assignments you will select one site to review from a preselected list of historical websites. This review should be based on the evaluation criteria we have discussed in class (especially on October 6).

Peer Reviews (November 26 and December 3) - You will be assigned 2 students' sites to review. Your comments, which will be presented orally in class on December 1 or 8, are meant to help your fellow students revise their sites before they "go live."

Digital Workshop Space
You do not need to purchase any software or hardware to work on your projects. Instead, you will have access to the following digital workshop space:

Digital Workshop #3 - You will have the entire class time on October 29, November 5 and 12 to work in our regular classroom.
History Department Lab (Ten Broeck Room 302) - You are welcome to use this lab during Dr. Taylor's office hours (see above) - or at any other time you schedule with Dr. Taylor. NOTE: This lab will close in late November when the History Department moves into the Social Sciences Building. I will alert you of this date and tell you then where the new lab will be located.
Public Computing User Rooms - Lecture Center 3, as well as LI-137 (Library), contain computing workstations with all of the software you'll need. These rooms are open for extended hours - see http://www.albany.edu/its/facilities/public.html

If you would like to work at home, you can download free versions of some of the recommended software at:

Note Tab Light 4.95 - www.notetab.com
Dreamweaver-www.adobe.com (30-day trial only)
Photoshop - www.adobe.com (30-day trial only)

Technical Support
This course does not require any previous web skills on your part. Instead, you will receive instruction on basic web design and production techniques in the following ways:

In-class workshops - Students will spend class time on October 8, 15, and 22 learning basic web design skills and software (HTML, Adobe Photoshop, Dreamweaver).
Free University courses - The Interactive Media Center at the University Library offers
excellent courses that students new to web design might want to take for further practice and guidance. See http://library.albany.edu/imc/
Web design guidebook - There are many web design guidebooks available in bookstores that you might find helpful. As a good reference book, I personally like Jennifer
Niederst's Web Design in a Nutshell (second edition, 2001).
Help Sites - See the "technical help" section of this website for links to online
tutorials and help sheets on various web design skills.

Lateness Policy
The grade for any assignment turned in late will be dropped by one-half for each day it is late (i.e. a review that would have received an A- if it was turned in on time would be dropped to a B+ if one day late).

Lacking access to proper equipment will not be accepted as a reason for not completing assignments on time. The workshop space provided by the University (and listed above) is more than adequate for this project. Important: you will likely encounter some kind of problem with a computer at some point in your project - a crash, a virus, or something else that's inexplicable. Such problems are almost inevitable, regardless of how good this technology has become. You therefore need to keep backup copies of your work at all times and should plan ahead for these kinds of problems. Leave time to work out glitches and do not work at the last minute!

Attendance Policy
Attendance is expected at each class meeting. See Dr. Taylor if there is some reason why you have to miss a class meeting. Each class meeting is the equivalent of an entire week of class -- so if you know in advance that you have to miss more than one class, do not take this course. Class will start promptly at 4:15pm - repeated lateness is not acceptable and will be accounted for in your participation grade.

Grade Distribution:

HIS530:
20% participation in class discussion (including class presentation of project)
30% web reviews and peer reviews
50% final project (including bibliography and project overview)

HIS 390:
25% participation in class discussion (including class presentation of project)
25% peer reviews
50% final project (including bibliography and project overview)

Academic Integrity
History Department policy on plagiarism: "Plagiarism is taking (which includes purchasing) the words and ideas of another and passing them off as one's own work. If in a formal paper a student quotes someone, that student must use quotation marks and give a citation. Paraphrased or borrowed ideas are to be identified by proper citations. Plagiarism will result, at the minimum, in a failing grade for the assignment." This includes words and ideas found on websites!


Schedule:

Monday, August 27 - Introduction: What is digital history?

Monday, September 3 - Classes Suspended

Monday, September 10 -- History of Computing and the World Wide Web

Tim Berners-Lee, Weaving the Web: The Original Design and Ultimate Destiny of the World Wide Web by its Inventor (1999), pp. 1-51.

Vannevar Bush, "As We May Think," Atlantic Monthly (July 1945), available at:
http://www.georgetown.edu/faculty/jod/texts/vannevar.bush.html

Roy Rosenzweig, "Wizards, Bureaucrats, Warriors, and Hackers: Writing the History of
the Internet," American Historical Review (December 1998), available at:
http://chnm.gmu.edu/assets/historyessays/wizards.html

John Naughton, A Brief History of the Future: From Radio Days to Internet Years in a Lifetime (2000), pp. 209-277, 303-313.

Howard Rheingold, Tools for Thought: The People and Ideas behind the Next Computer Revolution (1985), pp. 13-24, 174-231.

4:30pm: Orientation to primary source research by Brian Keough, Head of the M.E. Grenander Department of Special Collections and Archives, University at Albany

**Topic Paragraph Due**

Monday, September 17 - The Promise of Digital History: Connections and Preservation

Cohen and Rosenzweig, Digital History, pp. 1-150, 189-219

Robert Darnton, "The New Age of the Book," (March 1999), available at:
http://www.nybooks.com/articles/546

Roy Rosenzweig, "Scarcity or Abundance?: Preserving the Past in the Digital Era,"
American Historical Review (June 2003), available at:
http://chnm.gmu.edu/assets/historyessays/scarcity.html

Daniel J. Cohen, "History and the Second Decade of the Web," Rethinking History 8 (June 2004): 293-301, available at:
http://chnm.gmu.edu/resources/essays/d/34

Carl Smith, "Can You Do Serious History on the Web?" AHA Perspectives (February 1998), available at: http://www.chnm.gmu.edu/assets/historyessays/serioushistory.html
Also examine "The Great Chicago Fire and the Web of Memory": http://www.chicagohs.org/fire/

William G. Thomas, "Democratizing History" (1999), available at http://www.vcdh.virginia.edu/presidential.html Also examine "The Valley of the Shadow: Two Communities in the American Civil War": http://valley.vcdh.virginia.edu

**Individual Meetings with Dr. Taylor this week**

Monday, September 24 - The Promise of Digital History: Hypertext and New Narratives

Janet H. Murray, Hamlet on the Holodeck: The Future of Narrative in Cyberspace (1997), pp. 1-10, 27-94, 185-213, 273-284.

George P. Landow, Hypertext: The Convergence of Contemporary Critical Theory and Technology (1992), pp. 1-34.

Edward L. Ayers, "The Pasts and Futures of Digital History" (1999), available at:
http://www.vcdh.virginia.edu/PastsFutures.html

Philip J. Ethington, "Los Angeles and the Problem of Urban Historical Knowledge," A Multimedia Essay Accompanying the December 2000 issue of the American Historical Review, available at: http://www.usc.edu/dept/LAS/history/historylab/LAPUHK/index.html

William G. Thomas III and Edward L. Ayers, "The Difference Slavery Made: A Close Analysis of Two American Communities," digital article published by the American Historical Review, available at: http://www.vcdh.virginia.edu/AHR/

**Bibliography Due**

Monday, October 1- The Challenge of Digital History: Quality Control

Evaluating Design
Jakob Nielson, "Alertbox" columns, http://www.useit.com/alertbox/ -- see especially "Top Ten Mistakes of Web Design" and "Usability 101"

Selections from Patrick J. Lynch and Sarah Horton, Web Style Guide, available at:
http://www.webstyleguide.com/index.html See "interface design" and "site design"

Paula Petrik, "Top Ten Mistakes in Academic Web Design," (2000), available at: http://www.archiva.net/essays.html

Evaluating Content
Elizabeth Kirk, "Evaluating Internet Information," Johns Hopkins University, http://www.library.jhu.edu/researchhelp/general/evaluating/index.html

"Evaluating Web Pages: Experience WHY It's Important," University of California, Berkeley, http://www.lib.berkeley.edu/TeachingLib/Guides/Internet/Evaluate.html

Esther Grassian, "Thinking Critically About Discipline-Based World Wide Web Resources" and "Thinking Critically about World Wide Web Resources," UCLA, at http://www.library.ucla.edu/libraries/college/help/critical/index.htm

Roy Rosenzweig, "Can History be Open Source?: Wikipedia and the Future of the Past," Journal of American History 93 (June 2006), available at: http://chnm.gmu.edu/resources/essays/d/42

Cohen and Rosenzweig, "Web of Lies?: Historical Knowledge on the Internet" (December 2003), available at:
http://chnm.gmu.edu/resources/essays/d/37

Monday, October 8 -- Anatomy of the web: How does it work?

In-Class Workshop #1: HTML (Hypertext Markup Language)

Cohen and Rosenzweig, Digital History, pp. 51-95

HIS530: **Web Review #1 Due**

Monday, October 15 - Aesthetics of the Web: Design & Navigation

In-Class Workshop #2: Images (Scanning and Adobe Photoshop)

Cohen and Rosenzweig, Digital History, pp. 95-103

HIS530: **Web Review #2 Due **

Monday, October 22- Project Planning

In-Class Workshop #3: Advanced Web Design (Dreamweaver)

Cohen and Rosenzweig, Digital History, pp. 108-159

**Project overview due**
**Individual meetings this week to discuss projects**

Monday, October 29- In-Class Workshop: Individual Projects

** "About the Producer" web pages due**

Monday, November 5- In-Class Workshop: Individual Projects

Monday, November 12- In-Class Workshop: Individual Projects

Monday, November 17 - No Class: Project work on your own time

Monday, November 26- Project Presentations & Peer Review (Group A)
(Group A projects due to reviewers on CD by November 17)

Monday, December 3 - Project Presentations & Peer Review (Group B)
(Group B projects due to reviewers on CD by November 26)

Monday, December 10 - Final Projects Due - Students will sign up for times to meet with Dr. Taylor and upload their projects to the server.