Instructor: Dr. Fan Pen Chen
Office: Humanities 246
Office Hours: Tu 10:15-11:15; Th 3:00-4:00 and by appointment
Phone: 518-442-2600
Fax: 518-442-4118
E-mail: fanchen@albany.edu
Course Description:
This course is an introduction to Chinese literature from the May Fourth
Movement (1919) to the present, including works written after the Cultural
Revolution (1966-1976). The purpose of this course is to gain an appreciation
and critical understanding of modern Chinese literature through the reading and
discussion of short stories. Since this is a General Education “Oral Discourse”
course, oral presentation and discussion are vital components of the course.
This course also fulfills the General Education “Humanities” requirement. There
are no prerequisites for the course.
Required Texts:
· (M) Modern
Chinese Stories and Novellas: 1919-1949, Ed. Joseph S. M. Lau, C. T. Hsia,
and Leo Ou-Fan Lee.
· Stories from
the following books will be available through E-res.
(C) Chinese
Stories from
(T) Twentieth Century Chinese Stories
(L)The Lost Boat
Testing and Grading:
- Oral reports: 25% (20% understanding, 20% depth of analysis, 20% clarity of analysis, 20% structure, 20% manner and style of presentation)
- Discussion leading: 15% (70% significance and interest of the question, 30% leadership in discussion)
- Attendance and participation in discussions: 20%
- Mid-term: 20%
- Final: 20%
Attendance will be taken regularly; students
are expected to attend class unless extenuating circumstances prevent it. The
grade is reduced by a notch (e.g., a B becomes a B-) for every three absences.
Each student will be responsible for presenting two oral “reaction” reports as
well as leading two class discussions (with five questions and their answers
prepared) on assigned readings. Grading of these oral components is based on
both the form (relationship with the audience, vocal punctuation and
expressiveness, volume and pace of speech, poise and comfort, fluency, eye
contact) as well as the content of the presentations (understanding, analysis,
structure). Study guides for the mid-term and final will be handed out one week
before they are administered.
The grade of "Incomplete" is for emergencies (death in the family, extreme illness, etc.) only, not for students who fail to plan ahead. Grades are not curved, nor are extra credit assignments given. The grading scale is as follows: 93-100%=A; 90-92%=A-; 87-89%=B+; 83-86%=B; 80-82%=B-; 77-79%=C+; 73-76%=C; 70-72%=C-; 67-69%=D+; 63-66%=D; 60-62%=D-; 0-59%=E. If you want to check on your performance at any point in the semester, feel free to come to my office and we'll run through the numbers. If there are extenuating circumstances which you anticipate will unduly affect your grade, it is your responsibility to speak with me IN ADVANCE.
Characteristics of all General Education Courses
1. General
Education courses offer introductions to the central topics of disciplines and
interdisciplinary fields.
2. General
Education courses offer explicit rather than tacit understandings of the
procedures, practices, methodology and fundamental assumptions of disciplines
and interdisciplinary fields.
3. General
Education courses recognize multiple perspectives on the subject matter.
4. General
Education courses emphasize active learning in an engaged environment that
enables students to be producers as well as consumers of knowledge.
5. General
Education courses promote critical inquiry into the assumptions, goals, and
methods of various fields of academic study; they aim to develop the
interpretive, analytic, and evaluative competencies characteristic of critical
thinking.
Learning Objectives for
General Education Humanities Courses
Humanities courses teach students to
analyze and interpret texts, ideas, artifacts, and discourse systems, and the
human values, traditions, and beliefs that they reflect.
1.
Humanities courses enable students to demonstrate knowledge of the assumptions,
methods of study, and theories of at least one of the disciplines within the
humanities.
Depending on the discipline, humanities
courses will enable students to demonstrate some or all of the following:
2. An
understanding of the objects of study as expressions of the cultural contexts
of the people who created them
3. An
understanding of the continuing relevance of the objects of study to the
present and to the world outside the university
4. An
ability to employ the terms and understand the conventions particular to the
discipline
5. An
ability to analyze and assess the strengths and weaknesses of ideas and
positions along with the reasons or arguments that can be given for and against
them
6. An
understanding of the nature of the texts, artifacts, ideas, or discourse of the
discipline and of the assumptions that underlie this understanding, including
those relating to issues of tradition and canon
Learning Objectives for
General Education Oral Discourse Courses
Approved courses provide opportunities
for students to develop the oral communication skills they need to participate
more effectively in public and academic debates and discussions. Courses offer
opportunities to participate in a variety of communication contexts and to
reflect on the principles of theory relevant to specific oral communication
activities. Approved courses include instruction on presentation as well as
feedback and evaluation of oral performances.
Approved
courses generally have a minimum of two exercises in which oral performance is
required and graded. An oral performance exercise can be accomplished in any of
the following activities, either live or in a crafted recording:
1. A
stand-up monologue presentation or a minimum of 3-5 minutes
2. A debate
where each participant speaks for a minimum of 3-5 minutes
3. A
question and answer dialogic process where the student fields a succession of
questions or asks a succession of questions that build on and comment on prior
answers
4. A
discussion within a group, where each member will be required to make 3-5
“paragraph-length” contributions in the course of the discussion.
Course Schedule
(Subject to Amendment)
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Topic |
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August |
26 |
Tu |
Course Introduction Systems of Romanization |
|
|
|
|
28 |
Th |
Overview
of Chinese literature |
|
|
|
September |
2 |
Tu |
Historical
film (The Chinese Revolution: 1911-1989 DVD DS774 C49V 2005) |
|
|
|
|
4 |
Th |
Film Lu Hsun “K’ung I-chi” |
M:
pp.3-5 |
|
|
|
9 |
Tu |
“Medicine” “My
Old Home” “The
New Year’s Sacrifice” Excerpt
of the film, The New Year’s Sacrifice |
M:
pp. 6-10 M:
pp.11-16 M:
pp.17-26 |
|
|
|
11 |
Th |
Hsu Ti-shan “The Merchant’s Wife” |
M: pp.41-50 |
|
|
|
16 |
Tu |
Yeh Shao-chün “Rice” |
M: pp.90-94 |
|
|
|
18 |
Th |
(Start Reading Response and Student-led Discussions) Mao Tun “Spring Silkworms” |
M: pp.144-156 |
|
|
|
23 |
Tu |
Lin Shu-hua “Embroidered Pillows” |
M:
pp.197-199 |
|
|
|
25 |
Th |
Shen Ts’ung-wen “Pai-tzu” First 20 mins of the film, Girl
from Hunan |
M: pp.222-226 |
|
|
|
30 |
Tu |
NO CLASS |
|
|
|
October |
2 |
Th |
“Hsiao-hsiao” |
M: pp.227-236 |
|
|
|
7 |
Tu |
Ting
Ling “When
I was in |
M:
pp.268-278 |
|
|
|
9 |
Th |
NO
CLASS |
|
|
|
|
14 |
Tu |
Pa
Chin “Nanny
Yang” |
M:
pp.293-298 |
|
|
|
16 |
Th |
MID-TERM |
|
|
|
|
21 |
Tu |
“Piglet
and Chickens” |
M:
pp.313-321 |
|
|
|
23 |
Th |
Chao Shu-li “Lucky” |
M: pp.324-333 |
|
|
|
28 |
Tu |
Chang T’ien-I “The Bulwark” |
M:
pp.336-344 |
|
|
|
30 |
Th |
Wu Tsu-hsiang “Young Master Gets His Tonic” |
M: pp.372-381 |
|
|
November |
4 |
Tu |
Eileen Chang “The Golden Cangue” |
M: pp.530-560 |
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|
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6 |
Th |
Film, |
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|
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11 |
Tu |
|
|
|
|
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13 |
Th |
Ch’en Jo-hsi “The Last Performance” |
C: pp.2-12 |
|
|
|
18 |
Tu |
Pai Hsien-yung “Li Tung: a Chinese Girl in |
T: pp.218-239 |
|
|
|
20 |
Th |
Li Rui “The Brake-Stone” |
L:pp.21-27 |
|
|
|
25 |
Tu |
Ma Yuan “Mistakes” |
L: pp.29-42 |
|
|
|
27 |
Th |
NO CLASS |
|
|
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December |
2 |
Tu |
Wen Yuhong “The Mad City” |
L: pp.43-52 |
|
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Final
Exam: |
4 |
Th |
TBA December 17, 1:00-3:00 |
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