Department of Art & Art History

Please read the homepage for information about the source of the lists below. Use the form on the right side of this page to send corrections to the Dean's Office.

Rakhee Balaram

Balaram, R. (2016). With the Void, Full Powers: Anish Kapoor and the Venice Biennale of 1990. British Art Studies, 3(Special Issue), 1-12.

Balaram, R. (2016). A Revolution in Poetic Language: Manisha Parekh. MARG (Modern Architectural Research Group), 68(1), 44-51.


Amy R. Bloch

Bloch, A. R. (2016). Review of Women, Patronage, and Salvation in Renaissance Florence: Lucrezia Tornabuoni and the Chapel of the Medici Palace, by Stefanie Solum. CAA (College Art Association) online reviews.


JoAnne Carson

Carson, J. (2016). Artwork for the exhibition It Was Never Linear. Invited work. Sheldon Art Museum, Lincoln, NE.

Carson, J. (2016). Artwork for the exhibition Future Perfect: Picturing the Anthropocene. Invited work. University Art Museum, University at Albany - SUNY, Albany, NY.

Carson, J. (2016). Artwork for the exhibition Nature Pops. Invited work. Wave Hill Gardens and Gallery, New York, NY.


Sarah R. Cohen

Cohen, S. R. (2017). Thomas Gainsborough’s Sensible Animals. In Katherine M. Quinsey (Ed.), Animals and Humans: Sensibility and Representation, 1650-1820 (pp. 191-218). Oxford, U.K.: Voltaire Foundation.


Rachel Dressler

Dressler, R. (2016). The Problematic of Things. The Material Collective, epub.


Rob S. Edelman

Edelman, R. (2017). “Yer blind, Ump, Yer blind, Ump, Ya mus’ be out-a yer mind, Ump!”: Umpires on Screen...and Stage. In Larry R. Gerlach, Bill Nowlin (Ed.), The SABR Book of Umpires and Umpiring (pp. 432-438). Phoenix, AZ: Society for American Baseball Research.

Edelman, R. (2017). Anger and Conflict in Cinema. In Susan C. Cloninger, Steven A. Leibo (Ed.), Understanding Angry Groups: Multidisciplinary Perspectives on Their Motivations and Effects on Society. Santa Barbara, CA: Praeger.

Edelman, R. (2017). The Many Faces of Happy Felton. Society for American Baseball Research, 46(1), 23-29.

Edelman, R. (2016). Spring Training, Safe at Home!, and Baseball-on-Screen in Florida. The Society for American Baseball Research, 54-59.


Phyllis J. Galembo

Galembo, P. J. (2016, May 20). A Look inside Phyllis Galembo’s Maske Published by Aperture [Reproductions of work from Maske]. Juxtapoz, epub.

Galembo, P. J. (2016, May 2). Wild, wacky and sometimes serious: The surreal outfits of African masquerading [Reproductions of photographs]. The Washington Post.

Galembo, P. J. (2016). Photographs for the exhibition Paper. Invited work. Albany Institute of History and Art, Albany, NY.


Danny S. Goodwin

Goodwin, D. S., Riker, J, Schaming, C. (2016, July - December). Future Perfect: Picturing the Anthropocene. Curator. University Art Museum, Albany, NY.

Goodwin, D. S. (2016). Artwork for the exhibition 2016 Artists of the Mohawk-Hudson Region. Accepted work. The Hyde Collection, Glens Falls, NY.

Goodwin, D. S. (2016). "Duct Tape Decoy." Work by Goodwin acquired for gallery collection from work displayed at Artists of the Mohawk-Hudson Region. The Hyde Collection, Glens Falls, NY.

Goodwin, D. S. (2017). Artwork for the exhibition Taconic North. Invited work. LABspace Gallery, Hillsdale, NY.

Goodwin, D. S. (2017). Artwork for the exhibition Material Witness: The Object of Photography. Invited work. Collar Works Gallery, Troy, NY.

Goodwin, D. S. (2016). Artwork for the exhibition +1+1: Of an Urban Nature. Invited work. Theodore Art, Bushwick, Brooklyn, NY.

Goodwin, D. S. (2017). Artwork for the exhibition What is There? New Work by Danny Goodwin and Justin Baker. Invited work. LABspace Gallery, Hillsdale, NY.


William M. Jaeger

Jaeger, W. M., Baker, J., O’Neil, R. (2017). Material Witness: The Object of Photography. Curator. Collar Works Gallery, Troy, NY.

Jaeger, W. M. (2016). Artwork for the exhibition 2016 Artists of the Mohawk-Hudson Region. Accepted work. The Hyde Collection, Glens Falls, NY.

Jaeger, W. M. (2017). Artwork for the exhibition Captured Moments: 170 Years of Photography. Invited work. Albany Institute of History and Art, Albany, NY.


Rebecca A. Tolley

Tolley, R. A. (2016). "Adjunct Activism." Artwork for the exhibition Screenprint Biennial. Accepted work. The Collar Works Gallery, Troy, NY.


Jason K. Van Staveren

Van Staveren, J. K. (2017). Artwork for the exhibition Photo Regional Select Show. Accepted work. Albany Center Gallery, Albany, NY.

Van Staveren, J. K. (2017). Artwork for the exhibition Taking Flight. Invited work. Spring Street Gallery, Saratoga Springs, NY.

Van Staveren, J. K. (2017). "Hair #1." Photograph for the exhibition Winter. Invited work. Spring Street Gallery, Saratoga Springs, NY.

Van Staveren, J. K. (2017). "Deploy, Deploy, Deploy!" Multi-media installation piece for the exhibition Power. UAlbany MFA Feminist Art Reading Group, Albany, NY.

Van Staveren, J. K. (2016). Multi-media sculpture work for the exhibition 2016 Artists of the Mohawk-Hudson Region. Accepted work. The Hyde Collection, Glens Falls, NY.